Hyperreal Film Club
Cart 0
Events Journal Get Involved About Rentals Thank You Supporters!
Cart 0
EventsJournalGet InvolvedAboutRentalsThank You Supporters!
Hyperreal Film Club
  • 2025 194
  • 2024 274
  • 2023 248
  • 2022 68
  • 2021 56
  • 2020 159
  • 2019 51

 

  • AFS Cinema 7
    • Jul 8, 2025 I will be playing the role of Orlando (My Political Biography)
    • Jun 26, 2025 Passion and Risk in Club Med with Bay of Angels and Boom!
    • Apr 24, 2025 What We’re Watching at AFS Doc Days
    • Apr 23, 2025 Aspen and Model: Zooming Out to Zoom In
    • Oct 17, 2024 Foxfire Director Annette Haywood-Carter on the Film's Legacy
    • Oct 15, 2024 Central Park and Canal Zone: The Art of Sound Editing and Audiovisual Storytelling
    • Oct 1, 2024 The Store and Law and Order: Making the Mundane Extraordinary
  • AFS Lates 2
    • Apr 10, 2024 BloodSisters: Leather, Dykes, and Sadomasochism Whips it Good
    • May 29, 2023 Slippery When Wet: Warm Water Under a Red Bridge
  • Alamo Weird Wednesday 43
    • Aug 26, 2025 Weird Wednesdays: Eve of Destruction (1991)
    • Aug 18, 2025 Weird Wednesdays: Snakes (1974)
    • Jul 29, 2025 Weird Wednesdays: One Crazy Summer
    • Jul 28, 2025 Weird Wednesdays: Vibrations (and The Hand Canon)
    • Jul 17, 2025 Weird Wednesday: If Footmen Tire You, What Will Horses Do?
    • Jun 24, 2025 The Garbage Pail Kids Movie: Celebrating Man-Made Trash
    • Jun 23, 2025 Weird Wednesdays: Scream for Help, Michael Winner's Cherry Popping Good Time
    • Jun 23, 2025 Weird Wednesdays: Gone With the Pope
    • May 28, 2025 Weird Wednesdays: Love On A Leash
    • Apr 29, 2025 Weird Wednesdays: Conquest
    • Apr 28, 2025 Weird Wednesdays: Godzilla v. Megalon
    • Apr 28, 2025 Weird Wednesdays: The Duke of Burgundy
    • Apr 1, 2025 Weird Wednesdays: Eastern Condors
    • Mar 26, 2025 Weird Wednesday: I Come in Peace
    • Mar 12, 2025 Weird Wednesdays: The Prescience of The Running Man and its Timely Return
    • Feb 13, 2025 Weird Wednesdays: Gamera Super Monster
    • Feb 13, 2025 Weird Wednesdays: School of The Holy Beast
    • Feb 11, 2025 Weird Wednesdays: Altered States
    • Dec 11, 2024 What Fresh Hell is This? Weird Wednesday Review of Dark Angel: The Ascent
    • Dec 5, 2024 Weird Wednesdays: Flesh for Frankenstein 3D
    • Nov 5, 2024 Zeiram: Truly Tokusatsu
    • Oct 16, 2024 Man Bats Rat: Of Unknown Origin
    • Sep 16, 2024 Baby’s First Exploitation Movie: Twisted Sisters, Diapered Misters, All Swaddled in Strange
    • Jun 10, 2024 Every Outfit Honey Wears In Cutie Honey (2004), Ranked
    • Jan 23, 2024 Weird Wednesdays: Venus in Furs
    • Sep 7, 2023 Hard Women: A Hard Movie to Categorize
    • Aug 23, 2023 AGFAugust: Magic BMX
    • Aug 21, 2023 The Strange, Grotesque, and Occasionally Funny 1933 Version of Alice in Wonderland
    • Aug 2, 2023 Weird Wednesdays: Innerspace
    • Jul 20, 2023 Weird Wednesdays: Flux Gourmet
    • Jun 28, 2023 Weird Wednesdays: Avalon
    • Jun 21, 2023 Weird Wednesdays: The Silencer
    • May 31, 2023 The Incomparable Fan Service of DOA: Dead or Alive
    • May 23, 2023 Three Men on a Sand Dune: Techno Warriors
    • May 10, 2023 Action Jackson: Hot, Hotter, Hottest
    • May 9, 2023 Divine Feminine Negation: Christiane Cegavske's Blood Tea and Red String
    • May 3, 2023 Weird Wednesdays: Resident Evil: Retribution
    • Apr 19, 2023 Weird Wednesdays: Freeway
    • Apr 12, 2023 Weird Wednesdays: The Heroic Trio
    • Apr 5, 2023 Weird Wednesdays: Miami Connection
    • Apr 4, 2023 Weird Wednesdays: Yes, Madam
    • Mar 16, 2023 Scarecrow in a Garden of Cucumbers
    • Mar 9, 2023 Times Square and the Ecstasy and Chaos of Teen Girlhood
  • Alternate Calendar 14
    • May 7, 2024 April Eroticism: A Hyperreal Alternate Calendar
    • Apr 4, 2024 March Movie Madness: An Alternate March Calendar
    • Mar 5, 2024 Love Month: An Alternate February Calendar
    • Jan 31, 2024 New Year, New Movies: An Alternate Calendar
    • Dec 4, 2023 Give Thanks: An Alternate Hyperreal Calendar
    • Aug 31, 2023 Hot, Hot, Hot: An Alternate Hyperreal Calendar
    • Jul 4, 2023 Movies to Cure your June Gloom: An Alternate Hyperreal Calendar
    • Jun 1, 2023 Movie, May I? An Alternate Hyperreal Calendar
    • Apr 27, 2023 April's Jewels: An Alternate Hyperreal Calendar
    • Mar 30, 2023 The Eyes of March: An Alternate Hyperreal Calendar
    • Feb 28, 2023 To Love Again: An Alternate February Calendar
    • Feb 1, 2023 New Movies for the New Year: An Alternate January Calendar
    • Nov 30, 2022 Anyone Want Seconds? An Alternate November Calendar
    • Oct 26, 2022 Terror Never Dies: An Alternate October Calendar
  • Analysis 44
    • Jul 8, 2025 I will be playing the role of Orlando (My Political Biography)
    • Jun 25, 2025 CANS: Showing Analog Films in the Digital Age
    • Jun 20, 2025 Shakespeare Quote About A Summer’s Day - An Exploration of Summer Movies
    • Jun 10, 2025 Albert Murray as Key and Corrective to Sinners (2025)
    • May 28, 2025 Scientific Fiction: Exploring Fiction Through the Scientific Method
    • Apr 7, 2025 The Trip: Most Trips Have Highs and Lows
    • Feb 25, 2025 Vindication: The Rise of Vin Diesel
    • Feb 20, 2025 2024: The Year of Body Horror
    • Feb 17, 2025 Apes Retrospective: Dawn of the Planet of the Apes & War for the Planet of the Apes
    • Jan 29, 2025 Radio Waves of Mutilation: The Youthful Angst of Pump Up the Volume
    • Jan 27, 2025 Apes Retrospective: Battle for the Planet of the Apes & Planet of the Apes (2001)
    • Dec 4, 2024 Family and Identity in 20,000 Species of Bees
    • Dec 4, 2024 B Kool Stay N Skool: Cool as Ice
    • Oct 30, 2024 A Shrew Tamed: Shakespeare and the Necessity of Loose Adaptations
    • Aug 5, 2024 “I Think She’s Got a Bright Future” Kristen Stewart + Olivier Assayas
    • Jul 25, 2024 It Follows and Sleeping with People
    • Jul 9, 2024 Zerograd: Life in Soviet Surreality
    • Jul 1, 2024 The Global Eccentricity of Tsui Hark and Wicked City
    • Jun 26, 2024 “I Love the Sound of Breaking Glass”: Jacques Tati’s Playtime
    • May 28, 2024 Baby Blood: Make Pregnancy Gross Again
    • Apr 29, 2024 Carl Weathers made Predator’s Dillon a son of a bitch worth mourning
    • Apr 22, 2024 Saltburn, The Talented Mr. Ripley, and Class Relations on Film
    • Apr 1, 2024 Domestic Discontent: Todd Haynes and the American Housewife
    • Mar 5, 2024 Musings on Bimbos
    • Mar 4, 2024 Spawn of the Dead
    • Jan 29, 2024 Sad Girl (™) Core: Priscilla and Marie Antoinette in Conversation
    • Sep 5, 2023 Ascending Art: Elevator to the Gallows and Miles Davis
    • Aug 22, 2023 Ghost in the Shell (1995): Destroying the Illusion of Self
    • Jul 10, 2023 Paul Schrader Movie Mad Lib
    • Jun 26, 2023 Dissonant Assemblages: Martine Syms' The African Desperate
    • May 8, 2023 Camp Becomes Her
    • May 1, 2023 Ravenous: American Capitalism at its Finest
    • Apr 17, 2023 The Many Flavors of 1991’s Popcorn
    • Apr 3, 2023 Hung Up on Girl 6
    • Mar 23, 2023 Mother of God! Nunsploitation at the movies
    • Mar 22, 2023 Roses are Red, Vylette’s are PINK in 1999’s Jawbreaker
    • Mar 13, 2023 Junkspace Cinema and the transformation of physical space in movies
    • Feb 16, 2023 Robert Eggers: Stylization Through Dialect
    • Feb 8, 2023 Infrastructure Romance
    • Feb 7, 2023 Strange Days: Living Through the Apocalypse
    • Jan 20, 2023 The Pain of Companionship: Friendship and Intimacy in the Films of Tsai Ming-Liang and Jackass
    • Nov 25, 2022 We Don't Need Tár Think Pieces: A Think Piece
    • Nov 23, 2022 Planes, Trains & Automobiles: Class Consciousness On The Road
    • Nov 2, 2022 The Capitalist Zombie Apocalypse Has No National Borders
  • Animation 2
    • Feb 27, 2025 Animation First Festival ’25: New Francophone Shorts Second Program
    • Sep 14, 2023 Bugs Bunny as Fine Art: The Golden Age of Animation
  • Annual Best Of 2
    • Dec 20, 2023 The Best Movies of 2023: Honorable Mentions & Editors' Choice
    • Dec 20, 2023 The Best Movies of 2023: Top 10
  • Austin Film Fest 21
    • Dec 5, 2024 AFF '24: The Order Red Carpet
    • Dec 5, 2024 AFF '24: Operation Taco Gary's Red Carpet
    • Dec 2, 2024 AFF '24: The Fetch Interview
    • Dec 2, 2024 AFF '24: American Spirit Interview
    • Nov 25, 2024 AFF ‘24: Nickel Boys Review
    • Nov 25, 2024 AFF ‘24: The Order Review
    • Nov 14, 2024 AFF ‘24: Rob Taylor and Nic Costa on Raging Midlife
    • Nov 13, 2024 AFF ‘24: Getting Hyperreal with Dirty Towel’s Co-writer and Director, Callie Carpinteri
    • Nov 13, 2024 AFF ‘24 - Getting Hyperreal with Mermaid, Bitch’s Writer and Director, Victoria Negri
    • Nov 12, 2024 AFF '24: Interview with Angela Gulner, Writer and Director of The Beldham
    • Nov 8, 2024 AFF '24: The Seed of the Sacred Fig Review
    • Nov 21, 2023 Austin Film Fest 2023 Full Coverage
    • Nov 13, 2023 Facts and Fiction: The American Fiction Review
    • Nov 6, 2023 Red Carpet Interview: Jack Huston & Jai Stefan
    • Nov 6, 2023 Red Carpet Interview: The Bikeriders Jeff Nichols
    • Nov 6, 2023 No Home for the Holidays: The Holdovers Review
    • Nov 3, 2023 AFF 2023 Correspondence: Strangers in a Strange Land Shorts Block
    • Nov 3, 2023 AFF 2023 Correspondence: The Egghead & Twinkie Review
    • Oct 30, 2023 Fathers, Sons and the Great American Sport of Baseball: Bucky F*cking Dent
    • Oct 30, 2023 Saltburn: Calculated, callous, and grotesquely gorgeous
    • Oct 30, 2023 AFF 2023 Correspondence: The Jonah Review
  • Bruno-Vision 8
    • May 6, 2024 Bruno-Vision: North
    • Mar 7, 2024 Bruno-Vision: Striking Distance
    • Dec 11, 2023 Bruno-Vision: Billy Bathgate and The Last Boy Scout
    • Apr 25, 2023 Bruno-Vision: Bonfire of the Vanities
    • Mar 7, 2023 Bruno-Vision: Die Hard 2: Die Harder
    • Feb 14, 2023 Bruno-Vision: In Country
    • Jan 18, 2023 Bruno-Vision: Die Hard
    • Nov 16, 2022 Bruno-Vision: Blind Date and Sunset
  • Cannes 1
    • May 30, 2025 Eddington Review: A big bite to chew, but what’s the point with no taste or smell?
  • Capsule Reviews 1
    • Apr 13, 2023 Capsule Review: Dooley Does Murder
  • Comedy 2
    • Jul 17, 2023 How to Live Like a Butabi
    • Jan 30, 2023 Fearsome Felines on Film Ranked by Evilness
  • Comics 2
    • Feb 12, 2025 Food in Film
    • Dec 7, 2022 My First Time Watching: Audition
  • Community Screenings 122
    • Sep 5, 2025 This Week in Screenings 9/5-9/11
    • Aug 29, 2025 This Week in Screenings 8/29 - 9/4
    • Aug 22, 2025 This Week in Screenings 8/22-8/28
    • Aug 15, 2025 This Week in Screenings 8/15-8/21
    • Aug 8, 2025 This Week in Screenings 8/8-8/15
    • Aug 2, 2025 This Week in Screenings 8/1-8/7
    • Jul 25, 2025 This Week in Screenings 7/25-7/31
    • Jul 18, 2025 This Week in Screenings 7/18-7/24
    • Jul 11, 2025 This Week in Screenings 7/11-7/17
    • Jul 4, 2025 This Week in Screenings 7/4-7/10
    • Jun 27, 2025 This Week in Screenings 6/27-7/3
    • Jun 20, 2025 This Week in Screenings 6/20-6/26
    • Jun 13, 2025 This Week in Screenings 6/13-6/19
    • Jun 6, 2025 This Week in Screenings 6/6-6/12
    • May 30, 2025 This Week in Screenings 5/30-6/5
    • May 23, 2025 This Week in Screenings 5/23-5/29
    • May 16, 2025 This Week in Screenings 5/16-5/22
    • May 9, 2025 This Week in Screenings 5/9-5/15
    • May 2, 2025 This Week in Screenings 5/2-5/8
    • Apr 25, 2025 This Week in Screenings 4/25-5/1
    • Apr 18, 2025 This Week in Screenings 4/18-4/24
    • Apr 11, 2025 This Week in Screenings 4/11-4/17
    • Apr 4, 2025 This Week in Screenings 4/4-4/10
    • Mar 28, 2025 This Week in Screenings 3/28-4/3
    • Mar 21, 2025 This Week in Screenings 3/21-3/27
    • Mar 1, 2025 This Week in Screenings 2/28-3/6
    • Feb 21, 2025 This Week in Screenings 2/21 - 2/27
    • Feb 14, 2025 This Week in Screenings 2/14 - 2/20
    • Feb 7, 2025 This Week in Screenings 2/7 - 2/13
    • Jan 31, 2025 This Week in Screenings 1/31 - 2/6
    • Jan 24, 2025 This Week in Screenings 1/24 - 1/30
    • Jan 17, 2025 This Week in Screenings, 1/17–24
    • Dec 13, 2024 This week in screenings 12/13-19
    • Dec 6, 2024 This week in screenings 12/6-12/12
    • Nov 22, 2024 This Week in Screenings 11/22-12/05
    • Nov 15, 2024 This Week in Screenings 11/15-11/21
    • Nov 8, 2024 This Week in Screenings 11/8-11/14
    • Nov 1, 2024 This Week in Screenings 11/1-11/7
    • Oct 18, 2024 This Week In Screenings 10/18 - 10/24
    • Oct 11, 2024 This Week In Screenings 10/11 - 10/17
    • Oct 4, 2024 This Week in Screenings 10/4-10/10
    • Sep 20, 2024 This Week in Screenings 9/20-10/3
    • Sep 13, 2024 This Week in Screenings 9/13-9/19
    • Sep 6, 2024 This Week in Screenings 9/6-9/12
    • Aug 30, 2024 This Week in Screenings 8/30-9/5
    • Aug 23, 2024 This Week in Screenings 8/23-8/29
    • Aug 16, 2024 This Week in Screenings 8/16-8/22
    • Aug 9, 2024 This Week in Screenings 8/9-8/15
    • Aug 2, 2024 This Week in Screenings 8/2 - 8/8
    • Jul 19, 2024 This Week in Screenings 7/19-7/25
    • Jul 12, 2024 This Week In Screenings 7/12 - 7/18
    • Jul 5, 2024 This Week in Screenings 7/5-7/1
    • Jun 28, 2024 This Week in Screenings 6/28-7/4
    • Jun 21, 2024 This Week in Screenings 6/21-6/27
    • Jun 14, 2024 This Week in Screenings 6/14-6/20
    • Jun 7, 2024 This week in screenings 6/7-6/13
    • May 31, 2024 This Week in Screenings 5/31-6/6
    • May 24, 2024 This Week in Screenings 5/24 - 5/30
    • May 17, 2024 This Week in Screenings 5/17-5/23
    • May 10, 2024 This Week in Screenings 5/10-5/16
    • May 3, 2024 This Week in Screenings 5/3-5/9
    • Apr 26, 2024 This Week in Screenings 4/26 - 5/2
    • Apr 19, 2024 This Week in Screenings 4/19 - 4/25
    • Apr 12, 2024 This Week in Screenings 4/12 - 4/18
    • Apr 5, 2024 This Week in Screenings 4/5 - 4/11
    • Mar 29, 2024 This Week in Screenings 3/29-4/4
    • Mar 22, 2024 This Week in Screenings 3/22-3/28
    • Mar 15, 2024 This Week in Screenings 3/15-3/21
    • Mar 8, 2024 This Week in Screenings 3/8-3/14
    • Mar 1, 2024 This Week in Screenings 3/1-3/7
    • Feb 23, 2024 This Week in Screenings 2/23 - 2/29
    • Feb 16, 2024 This Week in Screenings 2/16 - 2/22
    • Feb 9, 2024 This Week in Screenings 2/9-2/15
    • Feb 2, 2024 This Week in Screenings 2/2-2/8
    • Jan 26, 2024 This Week in Screenings 1/26-2/1
    • Jan 19, 2024 This Week in Screenings 1/19-1/25
    • Jan 12, 2024 This Week in Screenings 1/12-1/18
    • Jan 5, 2024 This Week in Screenings 1/5-1/11
    • Dec 22, 2023 This Week in Screenings 12/22-12/28
    • Dec 15, 2023 This Week in Screenings 12/15-12/21
    • Dec 8, 2023 This Week in Screenings 12/8-12/14
    • Dec 1, 2023 This Week in Screenings 12/1-12/7
    • Nov 25, 2023 This Week in Screenings 11/24-11/30
    • Nov 17, 2023 This Week in Screenings 11/17-11/23
    • Nov 10, 2023 This Week in Screenings 11/10-11/16
    • Nov 3, 2023 This Week in Screenings 11/3-11/9
    • Oct 27, 2023 This Week in Screenings 10/27-11/2
    • Oct 20, 2023 This Week in Screenings 10/20-10/26
    • Oct 6, 2023 This Week in Screenings 10/6-10/12
    • Sep 29, 2023 This Week in Screenings 9/29-10/5
    • Sep 22, 2023 This Week in (Non-FF) Screenings 9/22-9/28
    • Sep 20, 2023 This Week in Screenings (Fantastic Fest Edition)
    • Sep 15, 2023 This Week in Screenings 9/15-9/21
    • Sep 8, 2023 This Week in Screenings 9/8-9/14
    • Sep 1, 2023 This Week in Screenings 9/1-9/6
    • Aug 25, 2023 This Week in Screenings 8/25-8/31
    • Aug 18, 2023 This Week in Screenings 8/18-8/24
    • Aug 11, 2023 This Week in Screening 8/11-8/17
    • Aug 4, 2023 This Week in Screenings 8/4-8/10
    • Jul 28, 2023 This Week in Screenings 7/28-8/3
  • Doc Days 9
    • May 29, 2025 AFS Doc Days '25: Where the Trees Bear Meat
    • May 29, 2025 AFS Doc Days '25: Middletown
    • May 19, 2025 AFS Doc Days ‘25: Mistress Dispeller
    • Apr 24, 2025 What We’re Watching at AFS Doc Days
    • Jun 3, 2024 The Objective Compassion of Look Into My Eyes
    • May 27, 2024 HFC at Doc Days '24: Time Passages
    • May 21, 2024 HFC at Doc Days '24: Sugarcane Review
    • May 13, 2024 HFC at Doc Days '24: Seeking Mavis Beacon
    • May 9, 2024 HFC at Doc Days ‘24: Union Review
  • Fantastic Fest 9
    • Oct 9, 2024 Fantastic Fest ‘24 - The Body Odyssey Review
    • Sep 25, 2024 Fantastic Fest ‘24: Witte Wieven
    • Sep 24, 2024 Fantastic Fest ‘24: Get Away
    • Oct 7, 2023 Hyperreal Film Club's Full Fantastic Fest 2023 Coverage
    • Oct 6, 2023 I'll Crush Y'all Interview: Jaime Arnaiz, Mario Mayo, and Fernando Gil
    • Sep 27, 2023 The Euphoria of The People's Joker
    • Sep 25, 2023 Getting Lost in the Jungle with Tiger Stripes
    • Sep 25, 2023 New Blood and Familiar Charms or; The V/H/S/85 Review
    • Sep 23, 2023 It Takes Two To Make A Thing Go Okay or; The Baby Assassins 2 Babies Review
  • Film Fests 66
    • Sep 9, 2025 Five Fall Festival Films to Look Out For
    • Aug 29, 2025 2025 Toronto International Film Festival Preview: Hedda, Blue Moon, Roofman and more
    • Jul 22, 2025 Dog of God (2025): Aggregating Excellence
    • Jul 21, 2025 Animals in War: War as a Magnifying Glass
    • Jun 17, 2025 IMFF ‘25: Agent of Happiness: Learning and Allowing
    • Jun 17, 2025 IMFF '25: Barah x Barah: Breaking the Fetters of Permanence
    • Jun 16, 2025 IMFF '25: Sad Letters of an Imaginary Woman: Depersonalization as Relief
    • May 29, 2025 AFS Doc Days '25: Where the Trees Bear Meat
    • May 29, 2025 AFS Doc Days '25: Middletown
    • May 19, 2025 AFS Doc Days ‘25: Mistress Dispeller
    • May 8, 2025 And, Towards Happy Alleys Shares Its Creator’s Passion and Sparks the Audience’s
    • May 8, 2025 The Glassworker spins a striking tale that gets why Miyazaki’s work is so beloved
    • May 5, 2025 HFC at SXSW '25: Full Coverage List
    • Apr 30, 2025 Interview with Houston Latino Film Festival Co-Founders Dave Cebrero and Pedro Rivas
    • Apr 24, 2025 What We’re Watching at AFS Doc Days
    • Apr 8, 2025 SXSW '25: Arrest the Midwife is a Vibrant and Necessary Call to Action
    • Mar 27, 2025 SXSW '25: Bunny’s Beautifully Crafted Chaos Thrills
    • Mar 19, 2025 SXSW '25: Spreadsheet Champions Just Barely Comes Up Short
    • Mar 3, 2025 SXSW Film Festival Preview: Friendship, Death of a Unicorn and more
    • Feb 27, 2025 Animation First Festival ’25: New Francophone Shorts Second Program
    • Feb 27, 2025 Animation First Festival ‘25: Momoko Seto on the Slow Beauty of Rot
    • Feb 24, 2025 Sundance ‘25: Sorry, Baby
    • Feb 19, 2025 Sundance ‘25: Rabbit Trap
    • Feb 18, 2025 Sundance ‘25: Seeds
    • Feb 10, 2025 Sundance ‘25: Train Dreams
    • Feb 4, 2025 Sundance ‘25: Touch Me
    • Jan 31, 2025 Sundance '25: Oh, Hi!
    • Jan 28, 2025 Sundance ‘25: Sugar Babies
    • Jan 16, 2025 Sundance Film Festival Preview: The Wedding Banquet, Obex, Bunnylovr and more
    • Dec 9, 2024 HCAF ’24: BORDERS | NO BORDERS, Narrative Shorts
    • Dec 9, 2024 HCAF '24: Connor Sen Warnick on the Cinema of Absence
    • Nov 19, 2024 HCAF '24: Interview with Director Haley Elizabeth Anderson
    • Nov 8, 2024 AFF '24: The Seed of the Sacred Fig Review
    • Oct 29, 2024 AFF '24: Interview with Norita Producers Sarah Schoellkopf & Melissa Daniels
    • Sep 24, 2024 Fantastic Fest ‘24: Get Away
    • Jul 23, 2024 Tribeca '24: Witches
    • Jul 15, 2024 Tribeca '24: The Shallow Tale of a Writer Who Decided to Write About a Serial Killer: "Yes, Sir, I Can Boogie."
    • May 8, 2024 HFC at SXSW '24: Full Coverage List
    • May 6, 2024 HFC at SXSW '24: My Sextortion Diary
    • May 3, 2024 HFC at SXSW '24: We're All Gonna Die
    • May 2, 2024 HFC at SXSW '24: Sing Sing
    • Apr 29, 2024 Pondering the Multitudinous Laundromat with The Bleacher directors Nicole Daddona and Adam Wilder
    • Mar 28, 2024 HFC at SXSW '24: Bionico’s Bachata
    • Mar 27, 2024 Boxed in and Filled with Light: I Saw The TV Glow review
    • Mar 26, 2024 Long Dark Night of the Soul in the Desert: Desert Road Review
    • Mar 25, 2024 HFC at SXSW '24: An Interview with Ken Kao and Josh Rosenbaum of Waypoint Entertainment
    • Mar 21, 2024 HFC at SXSW ‘24: Avian Garde, or The Cuckoo Review
    • Mar 18, 2024 Shakespeare by Southwest or, The Ghostlight & Grand Theft Hamlet Reviews
    • Mar 18, 2024 A Girl Walks into a Nunnery: The Immaculate Review
    • Mar 14, 2024 HFC @ SXSW '24: Road House
    • Mar 12, 2024 HFC at SXSW ‘24: Texas Shorts
    • Mar 11, 2024 HFC at SXSW ‘24: The Oddity Review
    • Mar 11, 2024 HFC at SXSW ‘24: Timestalker
    • Mar 8, 2024 SXSW Screenings to Watch
    • Feb 5, 2024 Bite-sized Sundance 2024 Reviews
    • Nov 21, 2023 Austin Film Fest 2023 Full Coverage
    • Nov 13, 2023 Facts and Fiction: The American Fiction Review
    • Nov 3, 2023 AFF 2023 Correspondence: Strangers in a Strange Land Shorts Block
    • Nov 3, 2023 AFF 2023 Correspondence: The Egghead & Twinkie Review
    • Oct 30, 2023 Fathers, Sons and the Great American Sport of Baseball: Bucky F*cking Dent
    • Oct 30, 2023 Saltburn: Calculated, callous, and grotesquely gorgeous
    • Oct 30, 2023 AFF 2023 Correspondence: The Jonah Review
    • Jun 15, 2023 Film Notes: Serial Mom
    • Apr 6, 2023 ATX Short Film Showcase (March 2023)
    • Mar 28, 2023 Top 10 Films of SXSW
    • Feb 9, 2023 Notes from Sundance
  • Film History 8
    • Jun 25, 2025 CANS: Showing Analog Films in the Digital Age
    • Feb 17, 2025 Apes Retrospective: Dawn of the Planet of the Apes & War for the Planet of the Apes
    • Jan 27, 2025 Apes Retrospective: Battle for the Planet of the Apes & Planet of the Apes (2001)
    • Sep 14, 2023 Bugs Bunny as Fine Art: The Golden Age of Animation
    • Jun 5, 2023 An Ode to the Nepo Baby: The Legend of the Stardust Brothers
    • May 15, 2023 The Only Drive You Need
    • Apr 10, 2023 Green Snake: Bullshitting for the Laws of Heaven!
    • Oct 24, 2022 The Blair Witch Project: A War of the Worlds Hoax for the Internet Age.
  • Film Notes 29
    • Aug 28, 2025 Cabaret Film Notes
    • Jun 9, 2025 Film Notes: Pan's Labyrinth
    • Aug 29, 2024 Film Notes: Streets of Fire
    • Aug 26, 2024 The Crow’s crow can’t bring you back, but it can point you towards the way through
    • Aug 23, 2024 Film Notes: Josie and the Pussycats
    • Aug 15, 2024 Film Notes: Cure
    • Aug 12, 2024 Film Notes: The Matrix
    • Aug 1, 2024 Film Notes: Until the End of the World
    • Jul 22, 2024 Film Notes: The Life Aquatic with Steve Zissou
    • Jul 18, 2024 Film Notes: Videodrome
    • Jul 15, 2024 Film Notes: Eve's Bayou
    • Jul 4, 2024 Film Notes: Point Break
    • Jun 24, 2024 All That Jazz: Death Drive, Erotic Airlines, and Bob Fosse
    • Jun 20, 2024 Desert Hearts: Film Notes
    • Jun 13, 2024 Film Notes: Mishima
    • Jun 11, 2024 Film Notes: Pink Flamingos / Female Trouble
    • May 23, 2024 Film Notes: Phantom of the Paradise
    • Aug 24, 2023 Film Notes: Sans Soleil
    • Aug 17, 2023 Film Notes: Hana-Bi
    • Aug 10, 2023 Film Notes: RRR
    • Aug 3, 2023 Film Notes: Blade
    • Jul 25, 2023 Film Notes: Orlando
    • Jul 19, 2023 Film Notes: Velvet Goldmine
    • Jul 13, 2023 Film Notes: Face/Off
    • Jul 6, 2023 Film Notes: Near Dark
    • Jun 29, 2023 Film Notes: Hackers
    • Jun 20, 2023 Film Notes: Bound
    • Jun 8, 2023 Film Notes: School Daze
    • May 25, 2023 Paramount Film Notes: Heat
  • Getting Hyperreal With... 10
    • Mar 14, 2024 Getting Hyperreal with Jeanne Stern, Creator of Catula Theme Song
    • Nov 8, 2023 Getting Hyperreal with... Amy McCullough and Jimmie Buchanan Jr.
    • Jul 18, 2023 Getting Hyperreal with... Emil Lozado
    • May 24, 2023 Getting Hyperreal with... Ryan Darbonne
    • Mar 20, 2023 Getting Hyperreal with... Andy Volk
    • Mar 8, 2023 Getting Hyperreal with... Myriah Rose Marquez
    • Mar 2, 2023 Getting Hyperreal with... Lucy Owens
    • Feb 13, 2023 Getting Hyperreal With... Erica Nix and This Is Not A Cult
    • Jan 13, 2023 Getting Hyperreal With… Joey Z
    • Nov 4, 2022 Getting Hyperreal with Carl Fry and Nic Bonesteel
  • Guides 3
    • Jan 27, 2025 Apes Retrospective: Battle for the Planet of the Apes & Planet of the Apes (2001)
    • Sep 17, 2024 Zatoichi Primer: Before You Delve into the Legend
    • Oct 12, 2022 Want to Write for Hyperreal Film Journal?
  • Hangover Cinema 2
    • Apr 26, 2023 Hangover Cinema: The Chase
    • Feb 23, 2023 Hangover Cinema: Wonder Boys
  • Houston Cinema Arts Fest 6
    • Dec 9, 2024 HCAF ’24: BORDERS | NO BORDERS, Narrative Shorts
    • Dec 9, 2024 HCAF '24: Connor Sen Warnick on the Cinema of Absence
    • Dec 2, 2024 HCAF ‘24: Interviews with the Programmers at Houston Cinema Arts Festival
    • Dec 2, 2024 HCAF ’24: Bertrand Dezoteux on Harmonie
    • Nov 20, 2024 HCAF '24: Interview with Markus Zizenbacher, Director of The Life of Sean DeLear
    • Nov 19, 2024 HCAF '24: Interview with Director Haley Elizabeth Anderson
  • Hyperreal Double Features 2
    • Jan 20, 2023 The Pain of Companionship: Friendship and Intimacy in the Films of Tsai Ming-Liang and Jackass
    • Oct 26, 2022 Terror Never Dies: An Alternate October Calendar
  • In Deep Focus 4
    • Dec 14, 2023 In Deep Focus: Five Easy Pieces
    • Oct 17, 2023 In Deep Focus: Adventureland
    • Feb 15, 2023 In Deep Focus: Jackass Forever
    • Nov 11, 2022 In Deep Focus: The Long Goodbye
  • Interviews 56
    • Jun 2, 2025 The Restoration of The Spook Who Sat By the Door: Interview with Doris Nomathandé Dixon & Mike Mashon
    • May 22, 2025 HFC @ HLFF: Interview with Hannia Yeverino - Writer/Director of Punks
    • May 20, 2025 Interview: Richard Harmon on Final Destination Bloodlines
    • May 7, 2025 "I wanted the class to be a mode of liberation": An interview with professor & filmmaker PJ Raval
    • Apr 30, 2025 Interview with Houston Latino Film Festival Co-Founders Dave Cebrero and Pedro Rivas
    • Apr 3, 2025 HFC @ HLFF - Interview with Writer/Director of Proverbs Timoteo Cortez
    • Mar 24, 2025 SXSW '25: Elaine Epstein on Arrest the Midwife
    • Feb 27, 2025 Animation First Festival ‘25: Momoko Seto on the Slow Beauty of Rot
    • Jan 13, 2025 The Experience is the Prize: Interview with Annika Iltis and Timothy Kane
    • Dec 9, 2024 HCAF '24: Connor Sen Warnick on the Cinema of Absence
    • Dec 2, 2024 AFF '24: The Fetch Interview
    • Dec 2, 2024 AFF '24: American Spirit Interview
    • Dec 2, 2024 HCAF ‘24: Interviews with the Programmers at Houston Cinema Arts Festival
    • Dec 2, 2024 HCAF ’24: Bertrand Dezoteux on Harmonie
    • Nov 25, 2024 Dazed and Confused 30th Reunion Red Carpet
    • Nov 20, 2024 HCAF '24: Interview with Markus Zizenbacher, Director of The Life of Sean DeLear
    • Nov 19, 2024 HCAF '24: Interview with Director Haley Elizabeth Anderson
    • Nov 14, 2024 AFF ‘24: Rob Taylor and Nic Costa on Raging Midlife
    • Nov 13, 2024 AFF ‘24: Getting Hyperreal with Dirty Towel’s Co-writer and Director, Callie Carpinteri
    • Nov 13, 2024 AFF ‘24 - Getting Hyperreal with Mermaid, Bitch’s Writer and Director, Victoria Negri
    • Nov 12, 2024 AFF '24: Interview with Angela Gulner, Writer and Director of The Beldham
    • Nov 12, 2024 AFF '24: Interview with Dani Hurtado, Director of Affogato
    • Oct 29, 2024 AFF '24: Interview with Norita Producers Sarah Schoellkopf & Melissa Daniels
    • Oct 17, 2024 Foxfire Director Annette Haywood-Carter on the Film's Legacy
    • Oct 11, 2024 Put Your Big Girl Pants On & Go Do Something: Susan Skoog on Whatever (1998)
    • Oct 8, 2024 Past Is Future: A Retrospective on Shu Lea Cheang’s Fresh Kill
    • Oct 2, 2024 Houston, The Music City? Interview with Director of When Houston Had the Blues
    • Jul 30, 2024 BigXThaPlug and Ro$ama Interview: Godzilla x Kong: The New Empire
    • Jul 16, 2024 Towards a Marxist Porno: Make Me a Pizza’s Talia Shea Levin and Kara Grace Miller Talk Intimacy Coordination
    • Jun 25, 2024 There is Only Time and Place: Discussing Romance and Cinema with Shaun Seneviratne
    • Jun 6, 2024 Exclusive Interview: Ishana Night Shyamalan on The Watchers
    • Jun 4, 2024 Centered in the Circle: Talking Anxiety, Observation, and Stillness with “Tennis, Oranges” Director Sean Pecknold
    • Apr 30, 2024 Her Dog Satan and the DIY Art Scene: An Interview with Scott Conn
    • Apr 30, 2024 Peeling Away the Artifice of Self with Dissolution Director Anthony Saxe
    • Apr 29, 2024 Pondering the Multitudinous Laundromat with The Bleacher directors Nicole Daddona and Adam Wilder
    • Apr 23, 2024 Discussing Bodily Autonomy in Life and Death with If I Die In America director, Ward Kamel
    • Apr 17, 2024 Austin Director Sarah Uftring on her new short film, “The Devil Inside Me”
    • Apr 15, 2024 The Sweetest Taboo: An Interview with Erica Schultz
    • Mar 25, 2024 HFC at SXSW '24: An Interview with Ken Kao and Josh Rosenbaum of Waypoint Entertainment
    • Jan 25, 2024 "Yeah, This is Really My Number": An Interview with Matt Farley
    • Nov 8, 2023 Getting Hyperreal with... Amy McCullough and Jimmie Buchanan Jr.
    • Nov 6, 2023 Red Carpet Interview: Jack Huston & Jai Stefan
    • Nov 6, 2023 Red Carpet Interview: The Bikeriders Jeff Nichols
    • Oct 26, 2023 The Debate of Good and Evil: An Interview with John Pielmeier
    • Oct 19, 2023 I Am Made From Love: An Interview with Brian Bowers
    • Jul 21, 2023 I Feel Like the Audience is Healing: An Interview with Al Warren
    • Jul 18, 2023 Getting Hyperreal with... Emil Lozado
    • May 24, 2023 Getting Hyperreal with... Ryan Darbonne
    • Apr 24, 2023 THE IMPORTANCE OF BEING IKE: a Q&A with Ikechukwu Ufomadu and Graham Mason
    • Mar 20, 2023 Getting Hyperreal with... Andy Volk
    • Mar 2, 2023 Getting Hyperreal with... Lucy Owens
    • Feb 13, 2023 Getting Hyperreal With... Erica Nix and This Is Not A Cult
    • Jan 13, 2023 Getting Hyperreal With… Joey Z
    • Nov 29, 2022 Wakaliwood Forever: A Conversation with Alan Hofmanis
    • Nov 4, 2022 Getting Hyperreal with Carl Fry and Nic Bonesteel
    • Oct 19, 2022 DYKES, DOLLS, AND QUEERS: A Chat With Elizabeth Purchell
  • Lists 32
    • Sep 9, 2025 Five Fall Festival Films to Look Out For
    • Jun 19, 2025 5 Underrated Zombie Movies to Watch
    • Jun 16, 2025 Introducing Kyle Gallner, Indie Prince of Screams
    • May 7, 2025 Hyperreal's 10 Most Anticipated Summer 2025 Movies
    • Apr 17, 2025 Movies of The Moment
    • Apr 8, 2025 The 7 Best Springtime Movies to Stream
    • Jul 10, 2024 5 Overlooked 2020 Films to Add to Your Watchlist
    • Jun 18, 2024 Movie Musical Underdogs, A List
    • Jun 10, 2024 Every Outfit Honey Wears In Cutie Honey (2004), Ranked
    • Feb 26, 2024 The Best and Worst of NBA on Film
    • Feb 19, 2024 5 Underrated Rom-Coms to Watch This Month
    • Jan 31, 2024 New Year, New Movies: An Alternate Calendar
    • Jan 22, 2024 (Some of) The Best Movies about Movies
    • Jan 18, 2024 Flesh and Blood: An Exhaustive List of Actors who Have Portrayed Both Dracula and Van Helsing
    • Dec 20, 2023 The Best Movies of 2023: Honorable Mentions & Editors' Choice
    • Dec 20, 2023 The Best Movies of 2023: Top 10
    • Jul 11, 2023 5 Foreign-Language Sci-Fi Movies to Expand Your World
    • May 16, 2023 5 Reasons Why Sisu Beats Up the Competition
    • Mar 28, 2023 Top 10 Films of SXSW
    • Mar 23, 2023 Mother of God! Nunsploitation at the movies
    • Feb 9, 2023 Notes from Sundance
    • Feb 6, 2023 The Atom Bomb in Cinema: A look at 5 films from the 1950's-1990's
    • Feb 1, 2023 New Movies for the New Year: An Alternate January Calendar
    • Jan 30, 2023 Fearsome Felines on Film Ranked by Evilness
    • Jan 2, 2023 Morgan’s Favorite Firsts of 2022
    • Dec 14, 2022 The Best Movies of 2022
    • Dec 12, 2022 “Ho, Ho, Horrifying: A Christmas Slasher Film List to Check Twice” 
    • Dec 9, 2022 Foreign Horror A-Z: My Self-Imposed Challenge
    • Dec 2, 2022 Has Any Actor Had a Better Run of Films Than Tom Hanks in the '90s?
    • Oct 30, 2022 Sunday Scaries: The Mother of All Horror
    • Oct 26, 2022 Terror Never Dies: An Alternate October Calendar
    • Oct 17, 2022 Revenge of the Film Freaks
  • MUBI Going with JT 3
    • Apr 20, 2023 MUBI Going with JT: Pacifiction
    • Mar 15, 2023 MUBI Going with JT: Irreversible: Straight Cut
    • Feb 21, 2023 MUBI Going with JT: Let it be Morning
  • Morgan's Monthly 1
    • Aug 15, 2023 Morgan's Monthly: Heatwave Edition
  • My First Time Watching 1
    • Oct 24, 2023 My First Time Watching: Party Girl
  • Personal 14
    • Dec 4, 2024 B Kool Stay N Skool: Cool as Ice
    • Sep 4, 2024 An Ode to Owen
    • Jan 16, 2024 Vampires Rule: Daybreakers as a Post-COVID “Boring Apocalypse” Movie
    • Nov 28, 2023 Home: Finding Ourselves in The Odyssey (1997)
    • Jun 22, 2023 I Don’t Know How to Love Him: The Queer Tragedy of Jesus Christ Superstar
    • May 4, 2023 Changing Horror Forever: Blood Feast
    • Apr 11, 2023 Returning to the Forest: Nostalgia and Melancholy Upon Revisiting The Last Unicorn
    • Mar 21, 2023 In Memoriam: Lance Reddick
    • Mar 14, 2023 Through the Years: Halloween
    • Mar 6, 2023 Our Good Pal, Jomo
    • Feb 22, 2023 Skinamarink: Dream a Little Dream of THIS HOUSE
    • Feb 20, 2023 Cherish the Past: On the Fond Memories of The X-Files: Fight the Future
    • Jan 11, 2023 Mary and Max and the Quarter-Life Crisis
    • Jan 4, 2023 Digital Memoria and Aftersun (feat. ALVVAYS)
  • Red Carpet Interviews 6
    • Dec 5, 2024 AFF '24: The Order Red Carpet
    • Dec 5, 2024 AFF '24: Operation Taco Gary's Red Carpet
    • Nov 25, 2024 Dazed and Confused 30th Reunion Red Carpet
    • Nov 21, 2023 Austin Film Fest 2023 Full Coverage
    • Nov 6, 2023 Red Carpet Interview: Jack Huston & Jai Stefan
    • Nov 6, 2023 Red Carpet Interview: The Bikeriders Jeff Nichols
  • Reviews 288
    • Sep 9, 2025 Five Fall Festival Films to Look Out For
    • Sep 4, 2025 Obayashi Times Two: A Poignant Retrospective
    • Sep 2, 2025 The Creature’s Image: American Spirituality in The Island of Lost Souls (1932)
    • Aug 27, 2025 Caught Stealing Review
    • Aug 26, 2025 Weird Wednesdays: Eve of Destruction (1991)
    • Aug 25, 2025 It's Been the End of the World: 28 Years Later
    • Aug 21, 2025 Weapons Review: Empty Signals
    • Aug 20, 2025 Together Review: Body Horror's Romantic New Arm
    • Aug 19, 2025 Rising Son: Akira Kurosawa's Stray Dog
    • Aug 18, 2025 Weird Wednesdays: Snakes (1974)
    • Aug 14, 2025 Welcome to the Dollhouse…Have none of us left?
    • Aug 13, 2025 Bright Light, Dark Shadow: High and Low
    • Aug 11, 2025 The Timely Relevance of Now and Then (1995)
    • Aug 5, 2025 I Know What You Did Last Summer (2025) Fails to Sink its Hook Into the Teen Slasher
    • Jul 30, 2025 The Passion of Andrei
    • Jul 29, 2025 Weird Wednesdays: One Crazy Summer
    • Jul 28, 2025 Weird Wednesdays: Vibrations (and The Hand Canon)
    • Jul 24, 2025 Superman: The opening act to the new DC Extended Universe
    • Jul 23, 2025 The Wolf, The Fox & The Leopard (2025): Action in a Complicated Meaningless World
    • Jul 22, 2025 Dog of God (2025): Aggregating Excellence
    • Jul 21, 2025 Animals in War: War as a Magnifying Glass
    • Jul 17, 2025 Weird Wednesday: If Footmen Tire You, What Will Horses Do?
    • Jul 16, 2025 M3gan 2.0 Review: From horror girl to action star, M3gan can be anything!
    • Jul 15, 2025 Eddington: Entertaining, Frustrating
    • Jul 14, 2025 A Manual on Feminine Teen Angst: Ghost World
    • Jul 10, 2025 Pavements: A funny, chaotic, and heartfelt tribute to creativity
    • Jul 9, 2025 Midsommar and Grief
    • Jul 8, 2025 I will be playing the role of Orlando (My Political Biography)
    • Jul 7, 2025 Ego, Celebrity and Bulls: Albert Serra's Afternoons of Solitude
    • Jul 3, 2025 Blow Wind Blow: Tornado
    • Jul 2, 2025 Thanks Chuck! Mike Flanagan Triumphs with New Stephen King Adaptation
    • Jul 1, 2025 F1 boasts spectacular races but never gets better than F1ne
    • Jun 30, 2025 28 Years Later: A Bold New Chapter
    • Jun 30, 2025 Wes Anderson Loses the Plot in The Phoenician Scheme
    • Jun 26, 2025 Passion and Risk in Club Med with Bay of Angels and Boom!
    • Jun 24, 2025 The Garbage Pail Kids Movie: Celebrating Man-Made Trash
    • Jun 23, 2025 Weird Wednesdays: Scream for Help, Michael Winner's Cherry Popping Good Time
    • Jun 23, 2025 Weird Wednesdays: Gone With the Pope
    • Jun 18, 2025 Karate Kid: Legends: A Lackluster Continuation of a Classic Franchise
    • Jun 17, 2025 IMFF ‘25: Agent of Happiness: Learning and Allowing
    • Jun 17, 2025 IMFF '25: Barah x Barah: Breaking the Fetters of Permanence
    • Jun 16, 2025 Introducing Kyle Gallner, Indie Prince of Screams
    • Jun 16, 2025 IMFF '25: Sad Letters of an Imaginary Woman: Depersonalization as Relief
    • Jun 12, 2025 Sharks, Boats, and Branded Innertubes: Dangerous Animals at Volente Beach
    • Jun 12, 2025 Celine Song’s Materialists Searches for Meaning
    • Jun 11, 2025 Let’s (Not) Get Together
    • Jun 9, 2025 30 Years of Exotica: Holding up a Mirror to Emotional Isolation
    • Jun 5, 2025 The Brutalist: Imperial Expression Through Architecture
    • Jun 4, 2025 All That You Dream: Living in Oblivion
    • Jun 3, 2025 “Don’t F* with Frendo” – Clown in a Cornfield, An Adaptation that Slashes
    • Jun 2, 2025 Going Down (1983): A Portrait of Feral Persistence
    • May 29, 2025 AFS Doc Days '25: Where the Trees Bear Meat
    • May 29, 2025 AFS Doc Days '25: Middletown
    • May 28, 2025 Weird Wednesdays: Love On A Leash
    • May 26, 2025 A Narrative 20 Years in Motion: Jia Zhang-ke's Caught by the Tides
    • May 22, 2025 HFC @ HLFF: Interview with Hannia Yeverino - Writer/Director of Punks
    • May 22, 2025 Another Simple Favor: More of the Same, Just Further from Home
    • May 19, 2025 AFS Doc Days ‘25: Mistress Dispeller
    • May 16, 2025 Bring Her Back: Trauma Horror at its Best
    • May 15, 2025 The Only Victory in Warfare Is Survival
    • May 13, 2025 Neighborhood Watch
    • May 12, 2025 Bringing Back Family Films: The Legend of Ochi
    • May 8, 2025 And, Towards Happy Alleys Shares Its Creator’s Passion and Sparks the Audience’s
    • May 8, 2025 The Glassworker spins a striking tale that gets why Miyazaki’s work is so beloved
    • May 2, 2025 SXSW '25: Sally
    • May 2, 2025 SXSW '25: Now! More! Yes!
    • May 1, 2025 With On Becoming a Guinea Fowl, Rungano Nyoni Pulls Truth from the Depths of Memory
    • Apr 29, 2025 Weird Wednesdays: Conquest
    • Apr 28, 2025 Weird Wednesdays: Godzilla v. Megalon
    • Apr 28, 2025 Weird Wednesdays: The Duke of Burgundy
    • Apr 23, 2025 Aspen and Model: Zooming Out to Zoom In
    • Apr 23, 2025 An Angel at My Table: Disability, Creativity, and the Tortured Artist
    • Apr 21, 2025 SXSW '25: Idiotka
    • Apr 21, 2025 SXSW '25: The Accountant 2
    • Apr 21, 2025 SXSW '25: Deepfaking Sam Altman
    • Apr 17, 2025 Movies of The Moment
    • Apr 16, 2025 Soderbergh is Back in his (Black) Bag
    • Apr 15, 2025 SXSW '25: Idyllic days foster existential dread in Glorious Summer
    • Apr 14, 2025 SXSW '25: Travis Gutiérrez Senger memorializes Chicano artistic vanguards in ASCO: Without Permission
    • Apr 14, 2025 SXSW '25: The Rivals of Amziah King
    • Apr 14, 2025 SXSW '25: Snake wrangling and mans’ folly collide in The Python Hunt
    • Apr 14, 2025 SXSW ‘25: Surviving Earth
    • Apr 11, 2025 SXSW '25: O’Dessa signifies nothing, and doesn’t even offer sound or fury
    • Apr 11, 2025 SXSW '25: LifeHack
    • Apr 10, 2025 SXSW '25: The Infinite Husk: A sci-fi feature too cynical for its own good 
    • Apr 10, 2025 SXSW '25: Nirvanna the Band the Show the Movie, or, the Millennial's Ishtar (Complimentary)
    • Apr 9, 2025 SXSW ‘25: Tim Robinson brings his off-kilter kookiness to the big screen in Friendship
    • Apr 9, 2025 SXSW '25: Slanted
    • Apr 8, 2025 SXSW '25: Arrest the Midwife is a Vibrant and Necessary Call to Action
    • Apr 7, 2025 The Trip: Most Trips Have Highs and Lows
    • Apr 2, 2025 Eyes Of Fire’s American Nightmare
    • Apr 1, 2025 Weird Wednesdays: Eastern Condors
    • Mar 31, 2025 Freedom Flight: The Brother from Another Planet
    • Mar 28, 2025 SXSW ‘25: Shuffle
    • Mar 27, 2025 SXSW '25: Bunny’s Beautifully Crafted Chaos Thrills
    • Mar 26, 2025 Weird Wednesday: I Come in Peace
    • Mar 25, 2025 SXSW '25: Zodiac Killer Project is Too Focused on Its Own Failure to Be Great
    • Mar 20, 2025 SXSW '25: Reeling’s fraught family drama exerts a strong pull
    • Mar 19, 2025 SXSW '25: Spreadsheet Champions Just Barely Comes Up Short
    • Mar 18, 2025 SXSW '25: Holland
  • SXSW 22
    • May 5, 2025 HFC at SXSW '25: Full Coverage List
    • May 2, 2025 SXSW '25: Sally
    • May 2, 2025 SXSW '25: Now! More! Yes!
    • Apr 21, 2025 SXSW '25: Idiotka
    • Apr 21, 2025 SXSW '25: The Accountant 2
    • Apr 21, 2025 SXSW '25: Deepfaking Sam Altman
    • Apr 15, 2025 SXSW '25: Idyllic days foster existential dread in Glorious Summer
    • Apr 14, 2025 SXSW '25: Travis Gutiérrez Senger memorializes Chicano artistic vanguards in ASCO: Without Permission
    • Apr 14, 2025 SXSW '25: The Rivals of Amziah King
    • Apr 14, 2025 SXSW '25: Snake wrangling and mans’ folly collide in The Python Hunt
    • Apr 14, 2025 SXSW ‘25: Surviving Earth
    • Apr 11, 2025 SXSW '25: O’Dessa signifies nothing, and doesn’t even offer sound or fury
    • Apr 11, 2025 SXSW '25: LifeHack
    • Apr 10, 2025 SXSW '25: The Infinite Husk: A sci-fi feature too cynical for its own good 
    • Apr 10, 2025 SXSW '25: Nirvanna the Band the Show the Movie, or, the Millennial's Ishtar (Complimentary)
    • Apr 9, 2025 SXSW ‘25: Tim Robinson brings his off-kilter kookiness to the big screen in Friendship
    • Apr 9, 2025 SXSW '25: Slanted
    • Mar 28, 2025 SXSW ‘25: Shuffle
    • Mar 27, 2025 SXSW '25: Bunny’s Beautifully Crafted Chaos Thrills
    • Mar 20, 2025 SXSW '25: Reeling’s fraught family drama exerts a strong pull
    • Mar 19, 2025 SXSW '25: Spreadsheet Champions Just Barely Comes Up Short
    • Mar 3, 2025 SXSW Film Festival Preview: Friendship, Death of a Unicorn and more
  • Shorts 3
    • Apr 17, 2024 Austin Director Sarah Uftring on her new short film, “The Devil Inside Me”
    • Nov 3, 2023 AFF 2023 Correspondence: Strangers in a Strange Land Shorts Block
    • Mar 24, 2023 Stars in Our Eyes: The Rapturous Pain of Starfuckers
  • TIFF 1
    • Aug 29, 2025 2025 Toronto International Film Festival Preview: Hedda, Blue Moon, Roofman and more
  • The Filmist Dispatches 1
    • Sep 11, 2023 The Filmist: Dispatches #1 (Talk to Me & Oldboy
  • Through the Years 1
    • Mar 14, 2023 Through the Years: Halloween
  • Tribeca Film Festival 3
    • Jul 21, 2025 Animals in War: War as a Magnifying Glass
    • Jul 23, 2024 Tribeca '24: Witches
    • Jul 15, 2024 Tribeca '24: The Shallow Tale of a Writer Who Decided to Write About a Serial Killer: "Yes, Sir, I Can Boogie."
Hyperreal Film Club
Austin, Texas,
USA
hyperrealfilmclub@gmail.com
Hours
 
footer-logo.png
 

Subscribe to the mailing list

Thank you!
HomeEventsReviewsAbout