CINEMA FOR THE PEOPLE

Rather than pumping out another Spielberg retrospective where forty films are boiled down to a top ten, Hyperreal would like to offer an alternative assembly: attributing a Steven Spielberg film to each of the major American holidays.

Fantastic Fest is back, which means the best time of the year for genre filmmaking is upon us once again. I’m here to give you the full rundown of the ones that have me the most excited from a festival full of surprises, premieres, and potential favorites.

Alexander Ullom’s debut is a smart and existential thriller that’s exactly what you’d hope for from an indie debut.