Shooting Up The Abyss: Pandemic Malaise in Grand Theft Hamlet

It is all the more surprising then, when Sam and Mark stumble upon an empty amphitheater in Los Santos. Almost certainly, the game designers were thinking of a concert space in this moment of world building, but Sam and Mark immediately see it for its theatrical potential. They hop their Ed Hardy-clothed avatars upon the stage and begin reciting Shakespeare. It doesn’t take long for one of them to suggest the loftiest of side missions: staging a production of Hamlet within the world of Grand Theft Auto

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Discussing Bodily Autonomy in Life and Death with If I Die In America director, Ward Kamel

Ward Kamel’s beautiful and devastating short film, If I Die In America, which debuted at SXSW, tackles this question with searing aplomb. When Manny’s husband, Sameer, dies suddenly, his grief is usurped by an unexpected battle with Sameer’s family, who refuse to acknowledge the legitimacy of their relationship and any claim he tries to stake on his husband’s body. I sat down with Ward to discuss his process and the thoughts and experiences that inspired the film. 

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Austin Director Sarah Uftring on her new short film, “The Devil Inside Me”

“The Devil Inside Me” tells the all too relatable story of toxic relationships with a little twist. A lonely woman forms an intimate and fleeting relationship with the prince of darkness, Satan himself. After their shared night, he ghosts her, leaving her to wonder when it went wrong. This film is Sarah Uftring’s directorial debut. The Austin filmmaker took the plunge and it paid off as she has garnered accolades, praise, and recognition for her hilariously awkward comedy. This interview, we got the chance to talk about genre filmmaking, approaching a set as a first time director, the importance of collaboration, and why adding a wiggly tail to your sex scenes might be more challenging than you think!

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Getting Rid of the Bodies: Examining James Robert Baker's Notions on Heterosexuality in Blonde Death

Made by anarchist gay author James Robert Baker (as James Dillinger) for less than $2,000 as part of the EZTV collective—a digital art and video collective based in Los Angeles since 1983—Blonde Death follows innocent Mississippi teen Tammy Lynn Beaudorf on a journey of bisexual corruption and violent rampage. 

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The Sweetest Taboo: An Interview with Erica Schultz

Hyperreal Film Club’s Matthew Seidel sat down with Erica Schultz to discuss her new book, The Sweetest Taboo: An Unapologetic Guide to Child Kills in Film, her successful indiegogo campaign, Letterboxd, and the Austin film scene.

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