This week in Austin screenings 6/12-6/18.
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Adrift On The Other Side of The World: Early Films by Jia Zhangke revealed a conscious artistic statement that blends the world in front and behind the camera, using any tool necessary to depict the lived experience of China’s working class during the country’s rapid globalization.
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This week in Austin screenings 6/5-6/11.
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Layering imagery in its liquid prowling camera, inky shadows and foggy alleys, Terrible exudes effortless cool with splashes of modern ultraviolence, ending in a downbeat cliffhanger and a switch to eye-popping color for a preview of the sequels.
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Make no mistake, The Sheep Detectives, as a film, is strange. However, using sheep as a metaphor for groupthink versus individualism, commodification, and prejudice works.
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‘I’m here, I’m Homoti, get used to it.’
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Director Michal Marczak shoots the film with such a tenderness and intimacy that the audience feels like they are right on the river with these two men, forever searching for something to bring the titular “closure” its subject Daniel Dymiński so desperately needs.
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This week in Austin screenings 5/29-6/4.
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Despite its oddball ending and workmanlike production, Riverbend is a noteworthy blend of drive-in shoot ‘em up and radical historical revisionism.
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The act of watching Alpha is better described as deflating and tedious, a filmmaker doing some impressive moves, but ultimately stumblingly to the finish line.
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Recently returning to theaters in Austin, Stop Making Sense is, 42 years on, still a masterpiece in austerity and obfuscated movement highlighting the ecstasy of performing in a live musical setting.
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Though An Unquiet Mind cites data about OCD’s prevalence and impact throughout its runtime, it wisely makes the realities of OCD personal by focusing on the lived experiences of two people with the disorder.
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This week in Austin screenings 5/22-5/28.
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“That’s the one thing the movies don’t tell you: how shitty it feels to be an outcast.”
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The brilliance of James Van Der Beek’s performance shines brightest in the moments where the actor allows Rick’s mask of the golden boy to slip. The young actor makes each moment count, and thus demonstrates his Hollywood potential.
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Not every film needs to be built. Some films need to be survived. Help!!! is that kind of movie, and it earns every one of those three exclamation points.
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This week in Austin screenings 5/15-5/21.
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In a time where people want the short and fun action movies of the ‘90s and ‘00s to return, the Bob Odenkirk-helmed Normal gives you just that with a modern twist.
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The idea of sex and death being intertwined is a cliche going back to Freud, but that doesn't make it any less relevant when it comes to horror movies.
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Contrary to what one might think, Capturing Bigfoot isn't about proving or disproving Bigfoot.
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