Movies are often described as having dream logic or otherwise being dreamlike, and this truly feels like a dream.
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Who Killed Teddy Bear? is a seemingly salacious examination of human perversity, but there is room here for something more nuanced, thanks to performances that elevate the material.
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The Apple is a campy, blast from the past, borderline hippie propaganda mess that I couldn’t look away from and a not-so-genius product of its time.
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It’s hard to beat Raimi even when you’re Raimi himself, but that doesn’t mean that Send Help isn’t going to be a blast to watch in a theater with a crowd squealing at its bleakly hilarious sequences.
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Despite being in the public domain, Spider Baby is best shared with a whole room filled with friends and strangers, a communal experience in beautiful weirdness before its time. It’s almost like Jack Hill dared to ask the question: What if the Addams Family were as dangerous as they were lovable?
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Surfer, Dude is tonally deranged, structurally unfocused, and difficult to fully comprehend… but, the vibes were good.
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This week in Austin screenings 1/23-1/29.
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Regarding Osgood Perkins’ feature film The Monkey, I didn’t laugh. But we can go deeper than that.
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Fans of the previous film will likely call it the first great horror movie of the year, and, like Samson with his lunch of brains, even the haters might find some big ideas to chew on.
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Anno's commentary is neither moralistic nor celebratory towards digital video. It is, as all of his work is, rooted in a deep empathy that finds a spark of hope within a pit of blue-black despair.
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After an eight year gap between her last two films, Lynne Ramsay demonstrates all her strongest skills for using textural impressionism to complicate what could be taken as a straightforward domestic drama.
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This week in Austin screenings 1/16-1/22.
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Ten movies to watch at the 2026 Sundance Film Festival, from Charli XCX and Gregg Araki to Natalie Portman and Macon Blair.
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Two women, separated by centuries and circumstance, enact the same ritual: to remain nothing but themselves, no matter how lonely the weather.
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This one is, to use a technical term, a doozy.
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But wait! There’s more!
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Our 4th annual community-voted Top 10 list is here: the objective, undeniable, irrefutable Top 10 films of 2025 as determined by the Hyperreal Film Club community.
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This week in Austin screenings 1/9-1/15.
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Five Nights at Freddy’s 2 ramps up the stakes and scares, resulting in something sure to delight fans.
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Song Sung Blue is hardly lacking in biopic cliches, but shows real juice with its tortuous reversals of fortune and hard-won working-class sentiment.
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