Brooks politically neuters the movie to the point of inanity in his attempt to show that a pure heart can win
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The rhythm of devotion is what drives The Testament of Ann Lee, the latest film from director Mona Fastvold.
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Hello Out There’s comic moments click. Its dramatic moments stick. It’s as incisive in its study of Minnie and Rex’s foibles as it is gentle in its treatment of their navigating their lives.
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Ann Marie Allison’s You’re Dating a Narcissist! whiplashes between being an effective and affecting exploration of parenting after your children reach adulthood at its best and too-broad and surprisingly poorly made at its worst. And Daniel Roebuck’s Tuesday’s Flu, a well-acted crime story and character study that never rises above “ok.”
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All told, Is This Thing On? is a darn well-made film that serves two excellent performances from two great actors. It’s well worth seeing.
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Springsteen: Deliver Me From Nowhere attempts to paint Bruce’s life with the same romantic flourishes that define his work, but rather than capturing the truth or transcending it, the film struggles to figure out what to do with it.
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Set in small-town America and exploring themes of capitalism, exploitation, corporate culture and conspiracy, Bugonia is jaw-dropping, edge of your seat goodness.
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With the Edgar Wright-directed The Running Man, Powell uses his face in a new way, putting it through the wringer as his angry, angry hero Ben Richards does his damndest to survive the entire continental United States hunting him. It’s Powell’s expression work, coupled with a committed physical performance (which he shares with stunt double Danny Downey), that gives The Running Man a compelling, magnetic core. Powell is the reason to see The Running Man.
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George Clooney Anchors a Superb Cast as Jay Kelly, but Doesn’t Get Much to Do Himself
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Do No Harm is a tense, tightly crafted little thriller that expertly draws audiences into the high stakes world of people who work in healthcare and how top down decisions about staffing and funding can cause catastrophic outcomes for people who are just trying to do their best and get the care they need.
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Ang Lee’s follow up to the Oscar winning Brokeback Mountain went underlooked, getting polite, yet not overly enthusiastic reviews and received zero Oscar nominations. However, I’d put it forth as one of the great films of 2007 and is more than deserving of the growing appreciation it’s received over the years; an intoxicating masterpiece of espionage and eroticism.
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The best way to describe the way I felt leaving Predator: Badlands, a new installment in the Predator franchise, was satisfaction. There is something so pleasurable in watching a movie do exactly what it needs to do, but without pandering or cutting corners.
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With a comedic tone and a political message that both felt surface level at best, I was left hoping for a tastier fortune cookie.
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In Eternity, a new romantic dramedy from director David Freyne, life, love, and death are all potent ingredients that make for a compelling plot.
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What happens when the Kong franchise bounds outside its California home and we let the Godzilla folks take the reins for a bit? The result is the recent Weird Wednesday showing of King Kong Escapes.
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Ninja Terminator tells the story of three ninjas, led by Ninja Master Harry (Richard Harrison), who pull off a heist against an all-powerful, entirely-evil, oddly-omnipresent crime empire run by ninjas.
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Exit 8 is an admirable experiment: a video game adaptation that doesn’t just replicate its source but reimagines it as a metaphor for daily life, where the routines we take for granted may be leading us deeper into a purgatory of our own making.
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The Mastermind is a welcome return to higher stakes storytelling, with surprising splashes of slapstick comedy.
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Enjoying its world premiere at the Austin Film Festival, The Boy from St. Croix is a heartfelt documentary of Hall-of-Fame professional basketball player Tim Duncan.
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Rebecca Zlotowski’s A Private Life (2025) is an enjoyable comic mystery that proves that the therapist is the last person to know what’s going on.
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