In 1974, the world was crying out… for snakes. One brave sound mixer by the name(s) of Art Names would answer that call with his sole directorial project: Snakes (aka Fangs.)
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Welcome to the Dollhouse is a coming-of-age dark comedy film from 1995 that ideally, you would not find relatable.
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High and Low asks: what is the cost of a man’s soul?
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Thirty years after its premiere, Now and Then maintains relevance in an entertainment landscape that often still fails to provide authentic stories for and about young women.
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Whether I Know What You Did Last Summer was going for a camp classic in its revival or a meta-commentary on Hollywood’s wave of reboots and sequels, there is still much to be desired in the film’s attempt to hook into either idea.
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A hypnotic meditation on life, death, history, fate, faith and the role of the artist in society, Andrei Rublev is like few movies I’ve ever seen.
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Writing a plot summary for a movie like this made me feel like I was having a mental breakdown.
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It is said by someone, somewhere, at some time in history, that if the eyes are the windows into the soul, the hands point to the path of the divine. But what happens when a person loses their hands?
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James Gunn’s Superman is the opening act to the new DC Extended Universe. Instead of telling the Man of Steel’s origin story for the umpteenth time, the movie takes a page from 2022’s The Batman and drops us right into the story.
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Filmmaker David Verbeek delivers a strong early entry into a body of feature films that showcases not only directorial craft but skillful writing.
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Director duo Raitis and Lauris Abele, brothers, explore the dichotomy between the church and the tavern as two separate houses of gluttony, the most underrated of the seven deadly sins.
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Animals in War is an anthology of seven short films credited to Myroslav Slaboshpytskyi.
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Footmen is a Baptist propaganda movie about a Communist takeover of the US in the late '60s. It’s normally the kind of thing that sits in a church basement for years before finally dissolving from vinegar syndrome.
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M3gan 2.0 is an entertaining watch for those that were delighted in M3gan a few years ago and proves M3gan is still that girl and she’ll still do anything to defend her bestie Cady.
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With Eddington, writer-director Ari Aster (Hereditary, Beau is Afraid) takes us back to that time in an attempt to work through its wreckage—with mixed results.
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If there is a manual on feminine teen angst, Ghost World helped lay the groundwork for it. Whether this film finds you in your teens or late in life, Ghost World offers comfort in the discontentment that comes with growing up, especially for the weirdos, loners, and outcasts.
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Pavements, directed by Alex Ross Perry, is a deeply loving, weird, and funny tribute to a much-romanticized band and the even-more-romanticized decade of the 1990s.
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Terrible and beautiful, grief is a kind of madness.
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Orlando, My Political Biography is a documentary-of-sorts, exploring Virginia Woolf’s Orlando through interviews with transgender folks and narration from Preciado in the form of a letter to Virginia Woolf. Each of the 26 subjects introduces themselves as “playing the role of Orlando,” Orlando becoming a stand-in for transgender subjectivity. As Preciado is Orlando, so is he, so is she, so are they. The title of the film is instructive: it is Preciado’s “political biography”–not an autobiography, but a tapestry of trans experiences united under the concept of Orlando.
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In Afternoons of Solitude, Serra’s first feature-length documentary in over a decade, the Spanish filmmaker sets his sights on one of his country’s longest-standing cultural institutions: bullfighting.
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