Contrary to what one might think, Capturing Bigfoot isn't about proving or disproving Bigfoot.
Read More
Sharing the actual journey would be doing Is God Is a disservice. This is a powerful tale of young black women on a quest to do what needs to be done, come Hell or high water.
Read More
Nirvanna: The Band - the Show - the Movie really is that stupid. It is also really great.
Read More
Bumpkin Soup and Abnormal Family each take a hand at blowing up the conventional ideas about pink films and films in general.
Read More
Vampyros Lesbos is an experience where logic and reality are afterthoughts, a truly dreamlike film that exists as a delivery method for beautiful women doing strange and exciting things around some lavishly-designed contemporary decor while one of the grooviest psychedelic scores of all time takes things to another dimension.
Read More
“Breaking Silence” explores disability, communication access, and family relationships. For Director Amy Bench, these themes were universal, relatable components that transformed this narrative from an introspection on incarceration and reentry to a vérité look at community and transformation.
Read More
In a time when the world’s most powerful countries attempt to extract commerce with the threat of violence, Magellan prompts the question: has anything really changed all these centuries later?
Read More
In protecting Michael Jackson’s memory so fiercely from “Wacko Jacko” negative energy, the filmmakers fail to create a believable human portrait.
Read More
Hard Target (1993), while sometimes dismissed as a middling Jean Claude Van Damme vehicle, has taken its honorable place in John Woo’s filmography.
Read More
While director Miko Lim does craft a visually arresting documentary—with both his own filmography and his subject’s archival footage—he’s less successful in telling the story of the man at the center of it.
Read More
I Love Boosters is a fun albeit confusing bit of mess. But for every half baked detail this movie offers, it makes up in style and acting which seems like a bit of a Boots Riley show.
Read More
Love Me Deadly is a baffling enigma of a film.
Read More
Foodfight! is a frightening look at the future of film.
Read More
Lancelot du Lac (1974), is a revisionary take on the myth of King Arthur and the Knights of the Round Table.
Read More
Mother Mary may be messy, but it is far from incoherent or lacking confidence in its phenomenal vision and how Anne Hathaway and Michaela Coel bring it to life.
Read More
A hilarious and hyperbolic analysis of modern dating, female friendships, and self discovery.
Read More
With its marriage of whip-smart dialogue, darkly satiric themes and a finely honed direction, Borgli’s best effort yet is the romantic-dramedy we deserve.
Read More
While the subject matter of Josephine is a risky approach and will likely be triggering for some, in Araújo’s careful hands we’re left with a uniquely modern portrait of how there is no right way to navigate healing from trauma; and further how trauma can seep into everything in our daily lives, at school, at home, or in quiet moments where there’s no language to process what happened.
Read More
Alex Prager’s DreamQuil is a tonally confused and mostly incoherent movie buckling under the weight of its ideas—and even a strong lead and distinctive visuals can’t save it from that.
Read More
Scorsese would never again make a film this unwieldy again, the last time he’d not be fully in control. And that is what makes New York, New York so special.
Read More