A hilarious and hyperbolic analysis of modern dating, female friendships, and self discovery.
Read More
Blake Williams interviews Charlie Tyrell, one half of the directing team behind The AI Doc (or How I Became An Apocaloptimist) about the filmmaking process, apocaloptimism, and creative balance.
Read More
Alex Prager’s DreamQuil is a tonally confused and mostly incoherent movie buckling under the weight of its ideas—and even a strong lead and distinctive visuals can’t save it from that.
Read More
Patricia Gillespie’s documentary aims to expose the insidious nature of unchecked mental illness at its most extreme, and for the most part she succeeds. #SKYKING is a tough watch but it is a rewarding one.
Read More
Forbidden Fruits feels like an almost great teen movie.
Read More
While Scott and Deadwyler are magnetic performers, The Saviors becomes too focused on its own plot to let the viewer engage with it as a pure character piece, but the plot is so obviously foreshadowing a twist that the film feels slow in execution.
Read More
Ready or Not 2: Here I Come aims to be bigger and bolder, but a suite of new characters can’t save the movie from a dumbed-down script.
Read More
At SXSW, Hyperreal’s Hannah Dubbe had the opportunity to sit down with Ayden Mayeri to talk about her documentary Summer 2000: The X-Cetra Story, the album, baby-boomers, and future plans for X-Cetra.
Read More
In advance of its 2026 World Premiere at SXSW, Hyperreal Film Journal staff writer Ziah Grace sat down with writer/director Eric Jackowitz to talk about his giallo parody The Seeing Eye Dog Who Saw Too Much.
Read More
Each year, our team of Hyperreal Film Journal writers takes to the streets (and movie theaters) of Austin to cover the SXSW Film Festival. Here’s what’s on our can’t-miss radar.
Read More
With SXSW ‘25 in the rearview mirror, here’s the full rundown of our coverage.
Read More
Cristina Costantini’s Sally is a welcome highlight among the documentaries of SXSW ‘25.
Read More
Though director Max Hey is focused and dialed in from the moment the documentary begins, Now! More! Yes! ultimately meanders around with its subject without inspiring much interest.
Read More
In Idiotka, her feature debut as a director, Nastasya Popov delivers one hell of a calling card.
Read More
Truth be told, this reviewer didn’t care for The Accountant 2.
Read More
What happens when the subject of your documentary wants nothing to do with you? Obviously, you use their own technology to create an AI version of them, and interview it in hopes of finding your answers.
Read More
In Glorious Summer, co-directors Helena Ganjalyan and Bartosz Szpak craft an ethereal vehicle to examine the pitfalls of blissful ignorance.
Read More
ASCO: Without Permission centers the revolutionary art collective and its cultural impact.
Read More
The Rivals of Amziah King is one of the most strangely-paced films and thematically-incohesive films I’ve ever seen. That’s both to its benefit and its greatest flaw.
Read More
The Python Hunt expertly delivers on its promises of humor and human interest.
Read More