I Love Boosters is a fun albeit confusing bit of mess. But for every half baked detail this movie offers, it makes up in style and acting which seems like a bit of a Boots Riley show.
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At Sundance 2025, Sorry, Baby is just the kind of independent debut you hope to uncover.
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Zoë Kravitz’s directorial debut Blink Twice aims to mirror the success of recent social satire thrillers, but is neither smart nor subtle enough to be anything but a total misfire.
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