A deep dive into 2024’s surge in pregnancy horror films, from Immaculate to Beetlejuice Beetlejuice.
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The Front Room covers what it says on the tin: Old people are gross, weird, and maybe a little evil.
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Ten years ago, David Robert Mitchell’s It Follows premiered at the 2014 Cannes Film Festival. After a decade of rewatches, if It Follows is about anything, it’s about people who wanna get laid. Vibe prone, quiet, the basic plot is simple, but the film’s strength is its mournful ambiguity.
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