eXistenZ is weird, unsettling, occasionally hilarious, and visually unforgettable, but beneath its grotesque imagery is a surprisingly thoughtful exploration of gaming, intimacy, and reality.
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Ready or Not 2: Here I Come aims to be bigger and bolder, but a suite of new characters are no match for its dumbed-down script.
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Whereas Cronenberg’s prior works such as Scanners stem from a distrust of the medical establishment, Videodrome – similar to later work eXistenZ – prods anxieties over technological advancements and the way society (literally; disgustingly) integrates with them.
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Real-world horror is processed into light banter among the educated and well-informed.
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