New articles Monday-Friday!
Told exclusively through iPhone footage, laptop cameras, and text exchanges, Patricia Franquesa’s My Sextortion Diary plays out more like a thriller more akin to films like Missing, Searching, and UnFriended than the traditional talking head documentary.
Read MoreThe first feature-length film from Rocket Jump (Freddie Wong and Matthew Arnold), We’re All Gonna Die has some rough edges but is at its greatest when it finds the balance between emotional and comedic.
Read MoreWith Dissolution, the short film which won the Narrative Shorts Jury Award at SXSW, director Anthony Saxe explores this disconnection from the past by looking to his parents. Through home videos captured in his infancy or before he was born, he investigates who his parents were to themselves and to each other when they lived completely different lives to the ones he now knows.
Read MoreNicole Daddano and Adam Wilder’s short animated film The Bleacher makes the viewer a voyeur in a dark and gritty world, centered around a laundromat where a regular has some very dirty laundry to do indeed. HFC sat down with Nicole and Adam to discuss all the strange turns the film takes and shifting from live action to animation.
Read MoreWard Kamel’s beautiful and devastating short film, If I Die In America, which debuted at SXSW, tackles this question with searing aplomb. When Manny’s husband, Sameer, dies suddenly, his grief is usurped by an unexpected battle with Sameer’s family, who refuse to acknowledge the legitimacy of their relationship and any claim he tries to stake on his husband’s body. I sat down with Ward to discuss his process and the thoughts and experiences that inspired the film.
Read MoreSecret Mall Apartment could easily have been a straightforward hagiography of a generous, interesting artist who also lived in the walls of a mall, but director Jeremy Workman never lets the catchy hook get in the way of the larger story.
Read MoreCivil War proves that Alex Garland still has some gas in the tank, exploring the morality of the media’s relationship with war while still holding the press in deep reverence.
Read MoreBionico’s Bachata is a refreshing gut-punch.
Read MoreYou’ll either feel I Saw the TV Glow kick you right in that soft part of your soul, or you won't.
Read MoreDesert Road, which had its world premiere at SXSW, follows Clare as she finds herself trapped next to her crashed car within walking distance from a gas station and a fenced-off factory.
Read MoreHyperreal Film Club interview extraordinaire Justin Norris catches up with Waypoint Entertainment’s co-founder and CEO, Ken Kao, and head executive and producer, Josh Rosenbaum, to talk about Waypoint’s journey, Cuckoo’s path to SXSW, and the ins and outs of film producing.
Read MoreLike a great magician you’d run into in a dark alley at 2 am, Cuckoo awes you with its feats of well-executed craziness.
Read More2024 SXSW premieres Ghostlight and Grand Theft Hamlet each take on the power of performing Shakespeare.
Read MoreImmaculate is simply a film that doesn't need to exist.
Read MoreThe South By Southwest Shorts Program opened on Friday with Texas Shorts, and our state is bursting with talent.
Read MoreDebuting at SXSW ‘24, Damien McCarthy’s Oddity is a horror film with the sole goal of scaring the living daylights out of you.
Read MoreIn Alice Lowe's Timestalker, which had its world premiere at SXSW, love lasts for eternity.
Read MoreFor the next week, our team of writers will be sprinting around Austin to catch as many movies premiering at SXSW as humanly possible.
Read MoreWriter Matthew Seidel got the chance to see the SXSW premiere of Blackberry in advance of its May 12th release date. Did the movie turn out better than the phone? Keep reading.
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