We Live in Time’s strength lies in the acting. Garfield and Pugh elevate the film from a standard tearjerker to a cathartic exploration of the way that love, grief, and memory intersect.
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Aaron Schimberg’s A Different Man (2024) just hit theaters and might be as medicinal for you as it was for Schimberg’s protagonist. It is as thought provoking as it is fun and pulls off the difficult task of being original, being a meaningful addition to a conversation and being clear.
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The Front Room covers what it says on the tin: Old people are gross, weird, and maybe a little evil.
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Ti West and Mia Goth’s MaXXXine takes us to a lovely replication of ‘80s Los Angeles, but there’s not much substance behind the sets and star power.
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Civil War proves that Alex Garland still has some gas in the tank, exploring the morality of the media’s relationship with war while still holding the press in deep reverence.
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