This week in Austin screenings 9/26-10/2.
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Him follows Cameron Cade (Tyriq Withers), a generational talent in college football who is so unbelievably hyped up by the entire sports-watching community that even before the NFL combine, he is expected to easily become one of the greatest players in the history of the sport.
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Nobody 2, the sequel to 2021’s Bob Odenkirk-plays-a-sadsack-who-gets-his-groove-back-by-resurrecting-his-abilities-as-a-master-assassin picture Nobody is an amiable, brisk goof with a game cast and some creative action.
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I’ll rip the band aid off early; The Conjuring: Last Rites is a bad, flaccid film that clocks in at an unholy 137 minutes. While the poor quality is baked into the final product (unenthusiastic direction, boring script), the badness is even worse when compared to what came previously.
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To put it cattily, A Big Bold Beautiful Journey feels like Everything Everywhere All at Once if it were made by capital T capital K Theater Kids as opposed to capital I capital K Internet Kids.
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This week in Austin screenings 9/19-9/25.
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Over a mild weekend in the middle of August, the Austin Film Society hosted a four-day retrospective on the globally renowned art cinema director Tsai Ming-liang.
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Those with pretensions to auteur status must announce themselves, they must Hold Court. Schlesinger doesn't need to. He needn't bother himself with vulgar displays of power.
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On the shores of Club Med, the possibilities of love are as endless as the sea itself. In the second two films of the series, Lina Wertmüller’s Swept Away and Jean-Luc Godard’s Contempt, we see love’s demise as irreconcilable differences surface in the tumultuous throes of passion.
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From secret screenings to off-the-wall showings, Fantastic Fest has a little something for everyone.
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This week in Austin screenings 9/12-9/18.
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Francis Lawrence has thoroughly demonstrated that despite The Long Walk being over four decades late to the party inspired by its legacy, a thoughtful approach to a book adaptation is always the best way to make sure the soul of that book survives onto the screen. I only wish that this thoughtfulness had been infused into all of the movie instead of most of it.
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With the summer coming to an end and temperatures coming down, fall is officially on the horizon. While many people are preparing for football season, us cinephiles are preparing for a different season: the fall film festivals.
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What was pitched to, former NFL linebacker, Brian Bosworth as a sincere and light-hearted action flick quickly turned into a badass biker gang epic that’s just as fun as it sounds.
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This week in Austin screenings 9/5-9/11.
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Nobuhiko Obayashi, best known for his cult debut House (1977), built his reputation on the first version of chaos: a pop-art, kaleidoscopic heavy, absurdist horror-comedy that feels like cinema’s version of shedding.
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A strange and unlikely entry in the pseudo-genre of Action Sequels Better Than The Originals, Universal Soldier: Day of Reckoning is a marvel of brutal action choreography visualized with an inky layer of paranoia thriller style.
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The Island of Lost Souls was and remains the most accomplished in a long list of adaptations of H.G. Wells’ 1896 novella The Island of Dr. Moreau.
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This week in Austin screenings 8/29-9/4.
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This year’s Toronto International Film Festival will premiere over 300 movies from debut directors and established auteurs like Guillermo del Toro, Chloé Zhao, Park Chan-wook and Claire Denis.
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