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In Mistress Dispeller, Elizabeth Lo’s (罗宝) second documentary feature, the camera feels almost absent, disappeared in the way of a narrative film. It’s a documentary shot like a romantic drama, specifically evoking the dreamy, languid camera most associated with slow cinema.
Read MoreFor director Shaun Seneviratne, life is cinema and cinema is life. His first feature film, Ben and Suzanne: A Reunion in Four Parts, which debuted at SXSW this year, places the viewer as a fly on the wall, witnesses to a week in the life of a couple’s attempt to figure out their future. It is the result of a fourteen-year-long filmmaking process.
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