If you ask someone for a recommendation for a “sciency” film you usually get one of two types of recommendations: “experiments gone wrong,” or “scientific exploration.” The second often falls in line with the notion of Scientific Fiction.
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The Infinite Husk falters under the weight of its big philosophical ambitions, leaning too far into the pessimism of the human condition without actually exploring what it means to live and move through the world’s structures.
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Like much of Dumont’s filmography, his sci-fi satire The Empire is relentlessly unafraid of what people might think of it.
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In this latest Apes Retrospective, we dig into Escape From the Planet of the Apes and Conquest of the Planet of the Apes.
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