We Live in Time’s strength lies in the acting. Garfield and Pugh elevate the film from a standard tearjerker to a cathartic exploration of the way that love, grief, and memory intersect.
Read MoreStreets of Fire is an anthem for those who live for love, or trouble, or both.
Read MoreOne of the most accurate portrayals of late stage capitalism before it was even fully realized. A prophesy of the eventual TikTokification of the music industry. A satire of the American government’s corruption as bolstered by a Machiavellian antagonist. Josie and the Pussycats is all this and so much more.
Read MoreAs far as directorial debuts go, Eve’s Bayou is in a league of its own.
Read MoreThe circumstances of Annie Baker’s debut film, Janet Planet, are specific: the film centers on Lacy, an 11 year old girl, and her mother Janet, as they while away the summer of 1991 in the woods of Massachusetts.
Read MoreLana Wilson’s new documentary, Look Into My Eyes, presents through juxtaposition of hurt and healing the film’s ethos: human is to be messy.
Read MoreLike any good, conniving femme fatale, Matty leverages that lust, putting the erotic in erotic neo-noir. “You aren’t too smart, are you? I like that in a man.”
Read MoreWith the current politicization of gender identity, ORLANDO is an essential text of queer theory and an example of how each element of our selfhood is changeable, a demonstration of how a freedom of spirit allows for the indulgence of endless earthly delights.
Read MoreAt once a a genre exercise featuring familiar archetypes and a dazzlingly subversive debut feature, Bound heralded the arrival of two legendary and generation-defining filmmakers.
Read MoreYou have to know the rules to break the rules. Camp is the glowing pink tonic that keeps Death Becomes Her forever fresh all these years later.
Read MoreFreeway is an endlessly surprising twist on a familiar story featuring an against-type Reese Witherspoon and a litany of absolutely bonkers choices.
Read MoreMusic and danger and laughter and love in the grimy streets of Times Square.
Read MoreMeme-material, maybe—but M3gan’s not your typical AI movie.
Read MoreAre you ready to get down with G-O-D?
Read MoreScream is so 1996 but it feels so good.
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