Spite is an unsettling, atmospheric low budget indie film that centers on a 36 year old woman, Johanna (Masha Cima), who returns to her childhood home after the death of her estranged, abusive mother.
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What happens when the Kong franchise bounds outside its California home and we let the Godzilla folks take the reins for a bit? The result is the recent Weird Wednesday showing of King Kong Escapes.
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Ninja Terminator tells the story of three ninjas, led by Ninja Master Harry (Richard Harrison), who pull off a heist against an all-powerful, entirely-evil, oddly-omnipresent crime empire run by ninjas.
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Exit 8 is an admirable experiment: a video game adaptation that doesn’t just replicate its source but reimagines it as a metaphor for daily life, where the routines we take for granted may be leading us deeper into a purgatory of our own making.
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The Mastermind is a welcome return to higher stakes storytelling, with surprising splashes of slapstick comedy.
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Enjoying its world premiere at the Austin Film Festival, The Boy from St. Croix is a heartfelt documentary of Hall-of-Fame professional basketball player Tim Duncan.
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Rebecca Zlotowski’s A Private Life (2025) is an enjoyable comic mystery that proves that the therapist is the last person to know what’s going on.
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Ultimately, The Unexpecteds is about people trying their best to navigate a system that is designed to make sure they never win.
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This week in Austin screenings 11/14-11/20.
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Jensen reunites with regular actors Nikolaj Lie Kaas and Mads Mikkelsen for a crime tale about two brothers attempting to retrieve heist money in The Last Viking (2025).
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Where SISU 2 shines is taking every element from the first movie and ramping it all up tenfold.
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Hot, sweaty, and filled with dread, Sirāt goes there and takes you alongside it whether you wanted that or not.
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It’s interesting that we don’t really get movies about monkeys very often, let alone horror movies about how scary monkeys are.
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The Carpenter’s Son doesn’t want to be the kind of film I was expecting it to be.
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Like the other two movies in the series, Now You See Me: Now You Don’t is convoluted, preposterous, and often downright silly. In other words, it’s what basically any mainstream American caper of the last few decades has been.
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Benoit Blanc (Daniel Craig) is back as the iconic, deeply Southern, master detective for the third installment of the Knives Out Franchise in writer/director Rian Johnson’s Wake Up Dead Man, but this time, something feels different.
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In a world where there is no such thing as job security, No Other Choice resonates as an apt satire-thriller of employment anxiety.
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This week in Austin screenings 11/7-11/13.
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The Black Phone left far more questions than answers. And given how Black Phone 2 plays out, maybe those questions should’ve stayed unresolved.
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This year’s Austin Film Festival witnessed a true full-circle moment for filmmaker Austin Kolodney. In 2022, he premiered his short film Two Chairs, Not One at AFF; in 2025, he came back to screen his feature debut Dead’s Man Wire, directed by Gus Van Sant, following its world premiere at the Venice International Film Festival.
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