Dazed and Despondent: An Observation of Richard Linklater’s Work in the Context of French New Wave

Linklater is seen as a figurehead for independent cinema, and one of the biggest reasons for this title is the excitement that his films carry. They are rebellious and staunchly against popular films of their time. However, this excitement is not the sum of perfectly precise plotting with never-coulda-seen-it-coming twists—it instead comes from a distinct abandonment of these elements.

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The Rest is Bullshit and You Know It: Performative Masculinity and Religious Sin and Guilt in 'Mean Streets'

Martin Scorsese’s gangster films are well known for exploring masculinity (toxic or otherwise) and the role it plays in the lives of men and their loved ones and enemies. In the 1973 film Mean Streets, the level of masculinity one has is inversely proportional to how mature one is.

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Austin Film Festival 2025 Preview: Wake Up Dead Man, Jay Kelly, No Other Choice and more

Ahead of this year’s Austin Film Festival, take a look at the feature films and documentaries our Hyperreal Film Journal writers can’t wait to see.

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