After an eight year gap between her last two films, Lynne Ramsay demonstrates all her strongest skills for using textural impressionism to complicate what could be taken as a straightforward domestic drama.
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In adapting the novel Mickey7 by Edward Ashton, director Bong Joon Ho makes the great decision to add 10 more lifetimes and change Mickey’s background from middle- to working-class, all in service of the often funny and always scathing critiques of modern capital that define his work.
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