With a neo-noir tone, a sleek L.A. setting and a cop versus criminal plot, Layton’s Crime 101 takes a page from Michael Mann’s oeuvre but struggles to pull off a heist movie with any real style.
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After an eight year gap between her last two films, Lynne Ramsay demonstrates all her strongest skills for using textural impressionism to complicate what could be taken as a straightforward domestic drama.
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