Truth be told, this reviewer didn’t care for The Accountant 2.
Read MoreWhat happens when the subject of your documentary wants nothing to do with you? Obviously, you use their own technology to create an AI version of them, and interview it in hopes of finding your answers.
Read MoreThis week in Austin screenings 4/18-4/24.
Read MoreThe following films are all concerned with forces that exist beyond the scope of their narratives.
Read MoreBlack Bag, Steven Soderbergh’s 36th feature, sees the director return to the thrills and sex appeal of his ‘90s output.
Read MoreIn Glorious Summer, co-directors Helena Ganjalyan and Bartosz Szpak craft an ethereal vehicle to examine the pitfalls of blissful ignorance.
Read MoreASCO: Without Permission centers the revolutionary art collective and its cultural impact.
Read MoreThe Rivals of Amziah King is one of the most strangely-paced films and thematically-incohesive films I’ve ever seen. That’s both to its benefit and its greatest flaw.
Read MoreThe Python Hunt expertly delivers on its promises of humor and human interest.
Read MoreWhere some stories of addiction slip into melodrama and misery, Surviving Earth shows the reality of sobriety as a choice that’s made every single day.
Read MoreWith due respect paid, O’Dessa is awful.
Read MoreLifeHack is a good heist film, a good coming-of-age film, and a skillful deployment of screenlife as a storytelling technique.
Read MoreThis week in Austin screenings, 4/11-4/17.
Read MoreThe Infinite Husk falters under the weight of its big philosophical ambitions, leaning too far into the pessimism of the human condition without actually exploring what it means to live and move through the world’s structures.
Read MoreFollowing its first screening, Nirvanna the Band the Show the Movie proved itself as the SXSW breakout of the year, with the word-of-mouth buzz resulting in a frenzy around the film’s second showtime.
Read MoreFriendship, which had its Texas Premiere at SXSW in 2025, is all about the strange amorphous heartbreak when a (mostly) heterosexual male friendship is ended. It’s also about star Tim Robinson continuing his streak of ego-less humiliation comedy.
Read MoreSlanted does well to avoid the pitfall of many modern satires by avoiding an explicit morality tale or an ending that ties everything up with a bow and a preachy monologue.
Read MoreArrest The Midwife is a powerful reminder that we are all we have, that our similarities are more striking than our differences, and that the people we’ve helped can and will go on to help others.
Read MoreHappy spring! We’re celebrating the equinox with 7 springtime movies, from The Secret Garden to A Midsummer Night’s Dream.
Read MoreThe Trip can be enjoyed because we should be able to enjoy a film for exactly what films are at their core: visually stimulating moving pictures that we resonate with.
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