Scream for Help is a sleazy, over-the-top, laugh-out-loud film that the Alamo Drafthouse programmer must’ve found at a VHS convention.
Read MoreA '70s low-budget vanity project from an aging cabaret performer sounds like something interminable and slack, released on 500 copies by some foreign VHS label, never to be seen again until showing up on Youtube in some smeary, unwatchable way. Remarkably, that's not at all what happened.
Read MoreIt’s summer in Texas, so we all need something to do after we’ve been forced inside by the sun’s ultraviolet laser beams.
Read MoreThis week in Austin screenings 6/20-6/26.
Read MoreDoes the release of 28 Years Later have you itching to revisit the undead hits of yesteryear? Here’s 5 zombie movies you probably haven't seen yet.
Read MoreKarate Kid: Legends doesn’t live up to the hype created by its predecessors; however it’s still a decent watch for Karate Kid fans, especially those with children they’ve introduced to the franchise.
Read MoreAgent of Happiness (2024), which screened at Indie Meme Fest 2025 takes place in Bhutan, a beautiful, small country with a unique policy: collecting and analyzing data on the happiness of its people.
Read MoreWhat does it mean that the industry of death photography is itself dying? Madan and Lahiri offer a wonderfully Asian response: Absolutely nothing.
Read MoreInto the Gallnerverse
Read MoreSad Letters of an Imaginary Woman is a psychological horror at the level of identity, and part of a powerful wave of tense, feminist indie horror in South Asian cinema.
Read MoreThis week in Austin screenings 6/13-6/19.
Read MoreDangerous Animals is director Sean Byrne’s newest film, coming ten years after his sophomore feature The Devil’s Candy.
Read MoreIn her follow-up to Past Lives, Celine Song crafts a visually polished rom-com that questions modern dating, ambition, and emotional connection—but struggles to ground its characters in real change.
Read MoreNeither movies or love are straightforward, which is why these kinds of romantic comedies tend to hit the hardest for me.
Read MoreIn particular, Murray’s 1976 music criticism masterpiece, Stomping the Blues, makes the case for the syncretic spiritual power of the blues in a way that Coogler appears anxious to make: That there is a magic, a power, an incontrovertible life-giving energy to the blues not only as music but as a way of life.
Read MorePan’s Labyrinth is a movie to get lost in.
Read MoreEgoyan’s Exotica is fundamentally a story about grief, loneliness, and obsession. Although enduring loss is a universal experience, it is emotionally isolating.
Read MoreThis week in Austin screenings 6/6-6/12.
Read MoreBrutalist architecture and the immigrant experience are on the surface, but the film is truly about homesteading, occupation, and the space buildings take from nature and other people.
Read MoreTom DiCillo’s Living in Oblivion (1995) is a dark satire of independent filmmaking that reveals within the nightmare of production lies the dream of creativity.
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