Sure, it’s easy to tell where Roofman is going from the get-go – these “based on true events” crime stories tend to follow all the same beats. That’s okay though, when you tell a tight enough story with a big enough heart.
Read MoreTom DiCillo’s Living in Oblivion (1995) is a dark satire of independent filmmaking that reveals within the nightmare of production lies the dream of creativity.
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