Senegalese fiction writer-turned-filmmaker Ousmane Sembene finds something alluring in the lives of these workers,
Read MoreA selection of Sundance 2024’s independent film offerings, from queer neo-noir Ponyboi, to the experimental AI-structured Eno, to Sasquatch Sunset’s Sasquatch pee.
Read MoreThis week in Austin screenings 2/2-2/9
Read MoreVojtěch Jasný’s The Cassandra Cat highlights political hypocrisy in a mystical tale led by a cat wearing sunglasses.
Read MoreNew year, who dis? Oh, it’s movies? Great, come on in.
Read MoreFor the inaugural edition of Psychotronic Drive-In, we’re covering two Spanish films released in 1973: Attack of the Blind Dead and The Vampires’ Night Orgy. Both are spectacular examples of what makes Spain’s horror output in the 1960s and 1970s so compelling and unique.
Read MoreLet Sofia Coppola make a movie about every woman who’s ever lived.
Read MoreThis week in Austin community screenings.
Read MoreHyperreal Film Club sat down with Matt Farley, the creative dynamo who’s written, recorded, and released over 24,000 songs and written and starred in nearly 20 movies in the last 20 years to talk about the creative drive, Elaine May’s Ishtar, and the phone number thing.
Read MoreWe sat down with Nicole Elliott, co-director, star, and writer of Piper Meets a Psychopath, to chat about her writing process and In-N-Out versus Whataburger.
Read MoreVenus in Furs is jazz on film. It’s about the scenes you don’t show, baby.
Read MoreIn honor of tonight’s screening of John Paizs’ Crime Wave, we’re running down some of our favorite movies about movies.
Read MoreThis week in Austin community screenings.
Read MoreHow many actors have had the range and the opportunity to play both Count Dracula and his non-immortal-still-eternal nemesis Van Helsing? The answer may surprise you.
Read MoreMore than 80 years later, Peeping Tom is still frighteningly relevant to the modern world and surveillance culture.
Read MoreHow did a 2009 vampire movie become one of the most relevant films for the post-Covid era? And what can Daybreakers teach us about society and the way we treat those most susceptible to a pandemic? Most importantly, who let Willem DaFoe do a southern accent?
Read MoreThis week in community screenings 1/12-1/18.
Read MoreThis week in Austin screenings 1/5-1/11.
Read MoreThis week in screenings 12/29-1/4.
Read MoreThis week in Austin screenings 12/22-12/28.
Read More