From the outset, Get Away perpetually winks at the audience. The comedy comes from a family’s obliviousness to numerous foreboding signifiers of doom, though Frost’s script goes back to that well so much it starts to run dry by the second act.
Read MoreA selection of Sundance 2024’s independent film offerings, from queer neo-noir Ponyboi, to the experimental AI-structured Eno, to Sasquatch Sunset’s Sasquatch pee.
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