Immaculate is simply a film that doesn't need to exist.
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Villeneuve’s Dune: Part Two offers a fresh take on the “white savior” story and an absolutely awe-inspiring visual feast, but falters in being too obvious.
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Denis Villeneuve’s Dune: Part Two is an awe-inspiring, idiosyncratic spectacle that demands to be seen.
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Madame Web is at its best when it begs the question: what would happen if our friendly neighborhood Spider-Man was instead a blood-thirsty serial killer?
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Cowboy Bebop: Knockin’ on Heaven’s Door takes the time to put the crew out in the world and gives them the space to bounce off each other. Lonely as they may be, they live. They use their time.
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Kathryn Newton shocks, slays, and amazes in the starring role of this charming monster rom-com.
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Senegalese fiction writer-turned-filmmaker Ousmane Sembene finds something alluring in the lives of these workers,
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A selection of Sundance 2024’s independent film offerings, from queer neo-noir Ponyboi, to the experimental AI-structured Eno, to Sasquatch Sunset’s Sasquatch pee.
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For the inaugural edition of Psychotronic Drive-In, we’re covering two Spanish films released in 1973: Attack of the Blind Dead and The Vampires’ Night Orgy. Both are spectacular examples of what makes Spain’s horror output in the 1960s and 1970s so compelling and unique.
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Let Sofia Coppola make a movie about every woman who’s ever lived.
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More than 80 years later, Peeping Tom is still frighteningly relevant to the modern world and surveillance culture.
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How did a 2009 vampire movie become one of the most relevant films for the post-Covid era? And what can Daybreakers teach us about society and the way we treat those most susceptible to a pandemic? Most importantly, who let Willem DaFoe do a southern accent?
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Andrei Konchalovsky’s 1997 adaption of "The Odyssey" brings a modern comfort that reminds us we can heal from any difficult journey.
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Finnish auteur Aki Kaurismäki returns with one of the funniest and most charming films of the year.
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American Fiction is a challenging film, but it’s supposed to be: it’s a film that normalizes the Black experience on film and points its finger at your expectation of Black media.
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In a return to form, David Fincher’s The Killers explores the suave hitman archetype through the modern gig economy.
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Seven surreal shorts, showcasing comedy, drama, and everything in between.
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A promising, if sometimes frustrating, queer coming of age comedy for the Tiktok generation.
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Bucky F*cking Dent brings a genuine earnestness a well-tread subject in this exploration of father/son relationships — and, of course, baseball.
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Emerald Fennell’s highly anticipated sophomore film delivers an intriguing and erotic modern take on Brontë-like gothic horror.
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