Where SISU 2 shines is taking every element from the first movie and ramping it all up tenfold.
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Hot, sweaty, and filled with dread, Sirāt goes there and takes you alongside it whether you wanted that or not.
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It’s interesting that we don’t really get movies about monkeys very often, let alone horror movies about how scary monkeys are.
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Benoit Blanc (Daniel Craig) is back as the iconic, deeply Southern, master detective for the third installment of the Knives Out Franchise in writer/director Rian Johnson’s Wake Up Dead Man, but this time, something feels different.
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In a world where there is no such thing as job security, No Other Choice resonates as an apt satire-thriller of employment anxiety.
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This year’s Austin Film Festival witnessed a true full-circle moment for filmmaker Austin Kolodney. In 2022, he premiered his short film Two Chairs, Not One at AFF; in 2025, he came back to screen his feature debut Dead’s Man Wire, directed by Gus Van Sant, following its world premiere at the Venice International Film Festival.
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Ahead of this year’s Austin Film Festival, take a look at the feature films and documentaries our Hyperreal Film Journal writers can’t wait to see.
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Simply put, watching Angel’s Egg in the quality it deserves has been a significant challenge for decades outside of Japan. Having the opportunity to see a 4K restoration of Angel’s Egg in a movie theater, at Fantastic Fest no less, is a dream come true.
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Though buoyed by strong performances and a sustained sense of tension, Aneil Karia’s hollowed-out adaptation struggles under the weight of its legacy.
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Joachim Trier’s latest is a success in creating an intergenerational story of art and personal history.
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By positioning Videoheaven as both a cinematic essay and an archive, Alex Ross Perry ensures that the memory of video stores won’t just fade into nostalgia, but remain available for future generations to discover.
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From secret screenings to off-the-wall showings, Fantastic Fest has a little something for everyone.
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With the summer coming to an end and temperatures coming down, fall is officially on the horizon. While many people are preparing for football season, us cinephiles are preparing for a different season: the fall film festivals.
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This year’s Toronto International Film Festival will premiere over 300 movies from debut directors and established auteurs like Guillermo del Toro, Chloé Zhao, Park Chan-wook and Claire Denis.
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Director duo Raitis and Lauris Abele, brothers, explore the dichotomy between the church and the tavern as two separate houses of gluttony, the most underrated of the seven deadly sins.
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Animals in War is an anthology of seven short films credited to Myroslav Slaboshpytskyi.
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Agent of Happiness (2024), which screened at Indie Meme Fest 2025 takes place in Bhutan, a beautiful, small country with a unique policy: collecting and analyzing data on the happiness of its people.
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What does it mean that the industry of death photography is itself dying? Madan and Lahiri offer a wonderfully Asian response: Absolutely nothing.
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Sad Letters of an Imaginary Woman is a psychological horror at the level of identity, and part of a powerful wave of tense, feminist indie horror in South Asian cinema.
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Death is an inevitability, Alexis Franco affirms in his documentary Donde Los Árboles Dan Carne (Where the Trees Bear Meat). Shown during Austin Film Society’s annual Doc Days, Franco’s film is an intimately quiet portrait of the modern Argentine gaucho shaped by the slow destruction of climate change.
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