Posts in Analysis
Baby Blood: Make Pregnancy Gross Again

Baby Blood transgressively counters the ever so nauseating idealized, kitsch aesthetic of pregnancy that we are accustomed to. The kitsch aesthetic of pregnancy arises out of societal expectations of what a mother should be, transforming what is a neutral occurrence into a moral imperative. The horror aesthetic in Baby Blood turns these expectations on their head, creating a narrative that encourages the pregnant character to refuse all repressive expectations of motherhood and pregnancy she encounters.

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Carl Weathers made Predator’s Dillon a son of a bitch worth mourning

Predator (1987) is, in its own quiet way, an actor’s movie. And then there’s the late, great Carl Weathers, whose soldier-turned-CIA-creep Dillon is the most complex character in Predator—a role that sees Weathers thread a tricky dramatic needle with skill and panache.

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Mother of God! Nunsploitation at the movies

Encountering a dark night of the soul, may you find beckoning reflections in these unfortunate onscreen sisters, whose lives might feel downright relatable.

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