In Mistress Dispeller, Elizabeth Lo’s (罗宝) second documentary feature, the camera feels almost absent, disappeared in the way of a narrative film. It’s a documentary shot like a romantic drama, specifically evoking the dreamy, languid camera most associated with slow cinema.
Read MoreEach year, Austin Film Society brings the best of nonfiction cinema from across the world to our city for the annual Doc Days film festival.
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