With Eddington, writer-director Ari Aster (Hereditary, Beau is Afraid) takes us back to that time in an attempt to work through its wreckage—with mixed results.
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Terrible and beautiful, grief is a kind of madness.
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Ari Aster’s “nightmare comedy” is giving critics sleepless nights, but is it a good movie? Does it even matter if it is?
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