This week in Austin screenings 7/25-7/31.
Read More
James Gunn’s Superman is the opening act to the new DC Extended Universe. Instead of telling the Man of Steel’s origin story for the umpteenth time, the movie takes a page from 2022’s The Batman and drops us right into the story.
Read More
Filmmaker David Verbeek delivers a strong early entry into a body of feature films that showcases not only directorial craft but skillful writing.
Read More
Director duo Raitis and Lauris Abele, brothers, explore the dichotomy between the church and the tavern as two separate houses of gluttony, the most underrated of the seven deadly sins.
Read More
Animals in War is an anthology of seven short films credited to Myroslav Slaboshpytskyi.
Read More
This week in Austin screenings 7/18-7/24.
Read More
Footmen is a Baptist propaganda movie about a Communist takeover of the US in the late '60s. It’s normally the kind of thing that sits in a church basement for years before finally dissolving from vinegar syndrome.
Read More
M3gan 2.0 is an entertaining watch for those that were delighted in M3gan a few years ago and proves M3gan is still that girl and she’ll still do anything to defend her bestie Cady.
Read More
With Eddington, writer-director Ari Aster (Hereditary, Beau is Afraid) takes us back to that time in an attempt to work through its wreckage—with mixed results.
Read More
If there is a manual on feminine teen angst, Ghost World helped lay the groundwork for it. Whether this film finds you in your teens or late in life, Ghost World offers comfort in the discontentment that comes with growing up, especially for the weirdos, loners, and outcasts.
Read More
This week in Austin screenings 7/11-7/17.
Read More
Pavements, directed by Alex Ross Perry, is a deeply loving, weird, and funny tribute to a much-romanticized band and the even-more-romanticized decade of the 1990s.
Read More
Terrible and beautiful, grief is a kind of madness.
Read More
Orlando, My Political Biography is a documentary-of-sorts, exploring Virginia Woolf’s Orlando through interviews with transgender folks and narration from Preciado in the form of a letter to Virginia Woolf. Each of the 26 subjects introduces themselves as “playing the role of Orlando,” Orlando becoming a stand-in for transgender subjectivity. As Preciado is Orlando, so is he, so is she, so are they. The title of the film is instructive: it is Preciado’s “political biography”–not an autobiography, but a tapestry of trans experiences united under the concept of Orlando.
Read More
In Afternoons of Solitude, Serra’s first feature-length documentary in over a decade, the Spanish filmmaker sets his sights on one of his country’s longest-standing cultural institutions: bullfighting.
Read More
This week in Austin screenings 7/4-7/10.
Read More
Tornado is a welcome return from writer-director John Maclean. Hopefully, his next feature will not take another decade for its release.
Read More
Life of Chuck is a movie that is full of heart and leaves you feeling warm and hopeful.
Read More
Joseph Kosinski’s F1, a combination sports/coming-of-age/cool-aging-guy-still-has-it movie, has a lot that works. But for all of F1’s many virtues, it’s more interesting to think about than it is enjoyable.
Read More
28 Years Later is both a strong revival and promising start to the new trilogy.
Read More