Two made-for-TV takes on ghosts, Amazing World of Ghosts (1978) and The Woman in Black (1989), are covered in this Psychotronic Drive-In installment.
Read MoreFrom its opening moment, unconventionally non-cinematic, director Jonathan Glazer announces the psychic essence of The Zone of Interest, one structured by its absences and what it decides not to show us.
Read MoreA deep dive into the figure of the American housewife in Todd Haynes’ films.
Read MoreThis week in Austin screenings 3/29-4/4.
Read MoreBionico’s Bachata is a refreshing gut-punch.
Read MoreThe Promised Land is a reminder that an epic doesn’t need all the bells and whistles we have grown accustomed to—it can be about something seemingly insignificant, like a man trying to farm.
Read MoreLove Lies Bleeding is a gutsy exclamation point that doesn’t give a damn what anyone thinks of it.
Read MoreYou’ll either feel I Saw the TV Glow kick you right in that soft part of your soul, or you won't.
Read MoreDesert Road, which had its world premiere at SXSW, follows Clare as she finds herself trapped next to her crashed car within walking distance from a gas station and a fenced-off factory.
Read MoreDrafthouse’s Lars Nilsen and Zane Gordon-Bouzard introduced their February 7 feature, Over The Edge, as the fifth in a series of juvenile delinquent films, an exploitation subgenre that surged in the late 70s/early 80s with films like The Warriors, Scum and the Spanish quinqui dramas but is rarely seen today.
Read MoreBoobs! Brews! Big screens! What could be more American than that? Why, worker exploitation, of course!
Read MoreHyperreal Film Club interview extraordinaire Justin Norris catches up with Waypoint Entertainment’s co-founder and CEO, Ken Kao, and head executive and producer, Josh Rosenbaum, to talk about Waypoint’s journey, Cuckoo’s path to SXSW, and the ins and outs of film producing.
Read MoreThis week in Austin screenings 3/22 - 3/28.
Read MoreLike a great magician you’d run into in a dark alley at 2 am, Cuckoo awes you with its feats of well-executed craziness.
Read MoreLike its characters, It’s What’s Inside is a little vapid and bland underneath the surface, but for the duration of its runtime, it maintains an enviable momentum that kept me on the edge of my seat.
Read MoreDidi (which means “Little brother” in Mandarin), adds a bit of unique zest to the coming-of-age genre it lovingly sets itself in.
Read MoreGrand Theft Hamlet is about making art in a hostile world, about carving out time and energy and justifications for why you're doing such a meaningless thing in the first place.
Read MoreArcadian, which recently had its world premiere at SXSW, seems to follow the elevated horror mold at first glance.
Read MoreThe Gutter, directed by brothers Isaiah and Yassir Lester, is the comedy we've been waiting for.
Read More2024 SXSW premieres Ghostlight and Grand Theft Hamlet each take on the power of performing Shakespeare.
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