Immaculate is simply a film that doesn't need to exist.
Read MoreThis week in Austin screenings 3/15-3/21.
Read MoreHyperreal Film Club sat down with Jeanne Stern, the creator of Catula Theme Song, to talk the origins of Catula and its main character, her art inspirations, and the theme songs that she can’t get out of her head.
Read MoreThe latest film from brothers Bill Ross lV and Turner Ross, Gasoline Rainbow keeps one foot in reality and one in manufactured filmmaking.
Read MoreProblemista is the exact kind of movie you’d expect from a once-in-a-generation creator like Torres, in that it is entirely unexpected, undefined by genre, and significantly singular.
Read MoreThe South By Southwest Shorts Program opened on Friday with Texas Shorts, and our state is bursting with talent.
Read MoreDebuting at SXSW ‘24, Damien McCarthy’s Oddity is a horror film with the sole goal of scaring the living daylights out of you.
Read MoreIn Alice Lowe's Timestalker, which had its world premiere at SXSW, love lasts for eternity.
Read MoreFor the next week, our team of writers will be sprinting around Austin to catch as many movies premiering at SXSW as humanly possible.
Read MoreThis week in Austin screenings 3/8 - 3/14
Read MoreIn Striking Distance (1993) Bruce makes his return to action films - but is he starting to get in his own way?
Read MoreWe sat down with Hundreds of Beavers director and co-writer Mike Cheslik and star and co-writer Ryland Tews to discuss their new film.
Read MoreWe’ve got that loving feeling continuing through March with double feature recommendations from the Hyperreal Film Club community.
Read MoreOne need only look at the Blockbuster hit of the past summer, Barbie, to see that the Bimbo is once again gracing our screens.
Read More2004 brought two prolific genre directors reanimating the Romero legacy for the 21st century, with wildly different approaches, at almost exactly the same time.
Read MoreThis week in Austin screenings 3/1-3/7
Read MoreVilleneuve’s Dune: Part Two offers a fresh take on the “white savior” story and an absolutely awe-inspiring visual feast, but falters in being too obvious.
Read MoreDenis Villeneuve’s Dune: Part Two is an awe-inspiring, idiosyncratic spectacle that demands to be seen.
Read MoreIn his 1998 film, Sitcom, French writer and director François Ozon has a couple of thoughts on the concept of family.
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