Hyperreal Interviewer Extraordinaire Justin Norris sat down with Amy McCullough and Jimmie Buchanan Jr. to discuss their new film Work Dreams, the push and pull of the nomadic lifestyle, and terrifying dreams.
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Hyperreal Interviewer Extaordinaire Justin Norris chatted with producer Jai Stefan and director Jack Huston about Day of the Fight, working with actors as an actor, and the filmmaking lessons learned.
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Hyperreal Interviewer Extaordinaire Justin Norris caught Jeff Nichols (Take Shelter, Midnight Special) to talk about his new film The Bikeriders, working with Michael Shannon, and starting bike gangs.
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Six years after his last film, Alexander Payne’s The Holdovers is his most human film since 2004’s Sideways.
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This week in Austin screenings 11/3-11/9.
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Seven surreal shorts, showcasing comedy, drama, and everything in between.
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A promising, if sometimes frustrating, queer coming of age comedy for the Tiktok generation.
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Midnight at the Paradise is a film for lovers, and for lovers of film.
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The Highest Brasil doesn’t have the answers to life’s problems.—but,it does have a few pretty funny jokes about them in its pocket.
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Aaron Culp’s Titty Boy (2023) takes an outrageous idea and plays it out with wit and heart.
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In this month’s alternate calendar, the Hyperreal Film Club community pairs each of the 13 screenings with its evil twin: from nuclear apocalypses to classic hauntings.
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Bucky F*cking Dent brings a genuine earnestness a well-tread subject in this exploration of father/son relationships — and, of course, baseball.
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Emerald Fennell’s highly anticipated sophomore film delivers an intriguing and erotic modern take on Brontë-like gothic horror.
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Ben Van Kleek's JONAH tackles the question of life beyond our planet -- but it turns out that sometimes the truth may not always be as exciting as you hope it would be.
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This week in Austin screenings 10/27-11/2
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Following a screening of the Theatrical cut of The Exorcist at IFC Center, playwright John Pielmeier sat down to discuss his work adapting the film for the stage, his work on Agnes of God, and how faith and innocence figure into work.
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In the case of Agnes Varda’s 1968 short film, Uncle Yanco, she finds a balance between revealing how the artifice of filmmaking can expose the inherent falseness in the medium and how this falseness may reveal something deeper to the film.
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If even Parker Posey feels like she missed the “good” New York, you’re allowed some forgiveness for your nostalgia.
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Jeff Baugh shares his thoughts on a recent genre exercise done with surprising brutality along with one of the most famous sci-fi films of all time in the newest installment of The Filmist.
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This week in Austin screenings 10/20-10/26.
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