A promising, if sometimes frustrating, queer coming of age comedy for the Tiktok generation.
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Midnight at the Paradise is a film for lovers, and for lovers of film.
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The Highest Brasil doesn’t have the answers to life’s problems.—but,it does have a few pretty funny jokes about them in its pocket.
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Aaron Culp’s Titty Boy (2023) takes an outrageous idea and plays it out with wit and heart.
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In this month’s alternate calendar, the Hyperreal Film Club community pairs each of the 13 screenings with its evil twin: from nuclear apocalypses to classic hauntings.
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Bucky F*cking Dent brings a genuine earnestness a well-tread subject in this exploration of father/son relationships — and, of course, baseball.
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Emerald Fennell’s highly anticipated sophomore film delivers an intriguing and erotic modern take on Brontë-like gothic horror.
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Ben Van Kleek's JONAH tackles the question of life beyond our planet -- but it turns out that sometimes the truth may not always be as exciting as you hope it would be.
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This week in Austin screenings 10/27-11/2
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Following a screening of the Theatrical cut of The Exorcist at IFC Center, playwright John Pielmeier sat down to discuss his work adapting the film for the stage, his work on Agnes of God, and how faith and innocence figure into work.
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In the case of Agnes Varda’s 1968 short film, Uncle Yanco, she finds a balance between revealing how the artifice of filmmaking can expose the inherent falseness in the medium and how this falseness may reveal something deeper to the film.
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If even Parker Posey feels like she missed the “good” New York, you’re allowed some forgiveness for your nostalgia.
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Jeff Baugh shares his thoughts on a recent genre exercise done with surprising brutality along with one of the most famous sci-fi films of all time in the newest installment of The Filmist.
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This week in Austin screenings 10/20-10/26.
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Reverie is the debut short film from auteur Brian Bowers, who is a multifaceted creative with a passion for experimental storytelling. I had the honor to speak with Brian, trying to wrap my head around how he was able to pull off these sentiments. We talk about everything from off-site directing to dance choreography to the works of great poets.
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If Killers of the Flower Moon is not the best film of Scorsese's career, it's only because he's made the best film of his career so many times before.
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Kellen Lowe takes a look at a pivotal scene in Adventureland and muses on the passion inherent in being an artist in the latest installment of In Deep Focus.
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Star Trek: The Motion Picture (1979) took on the best of what the show had to offer and remains the most human of all the films, writers reviewer Will Carroll.
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This week in Austin screenings 10/13-10/19
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All of Hyperreal Film Club’s 2023 Fantastic Fest coverage in one convenient place.
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