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Hyperreal Film Club

Hyperreal Film Journal

New articles Monday–Friday!
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ASK ANY BUDDY
ASK ANY BUDDY
Patrick PryorMarch 2, 2020Comment
“Corruption, thou art my father!”: Conjuring Up a Theory to Make THE VVITCH a Tolerable Movie
“Corruption, thou art my father!”: Conjuring Up a Theory to Make THE VVITCH a Tolerable Movie
Baillee PerkinsFebruary 28, 2020 Comment
Tales for None: Canadian Family Entertainment Featuring Kids in Cages
Tales for None: Canadian Family Entertainment Featuring Kids in Cages
Patrick PryorFebruary 27, 2020Comment
“She thinks she’s, like, the lead in a horror flick or something.”: Reflections on MIRROR MIRROR
“She thinks she’s, like, the lead in a horror flick or something.”: Reflections on MIRROR MIRROR
Baillee PerkinsFebruary 26, 2020Comment
HONEY BOY: A Painful Act of Catharsis
HONEY BOY: A Painful Act of Catharsis
Shelby DillonFebruary 24, 2020Comment
“Have you ever heard of body modification?”: Cutting Open Stereotypes with AMERICAN MARY
“Have you ever heard of body modification?”: Cutting Open Stereotypes with AMERICAN MARY
Baillee PerkinsFebruary 23, 2020 Comment
“You Know How Girls Love to Scream”: THE SLUMBER PART MASSACRE'S Commentary on Female Horror Characters
“You Know How Girls Love to Scream”: THE SLUMBER PART MASSACRE'S Commentary on Female Horror Characters
Baillee PerkinsFebruary 20, 2020Comment
SHORT NIGHT OF GLASS DOLLS: Cold War Paranoia
SHORT NIGHT OF GLASS DOLLS: Cold War Paranoia
Vikrant NallaparajuFebruary 16, 2020Comment
Six Valentine’s Movies For People With Worms In Their Brain
Six Valentine’s Movies For People With Worms In Their Brain
Morgan HydeFebruary 14, 2020Comment
THE SOUVENIR: Memories of a Soft Machine
THE SOUVENIR: Memories of a Soft Machine
Hayes MorrisonFebruary 13, 2020Comment
NIGHT CRAWLERS Can Bite Me: Why This Movie Shouldn’t See the Light of Day
NIGHT CRAWLERS Can Bite Me: Why This Movie Shouldn’t See the Light of Day
Baillee PerkinsFebruary 12, 2020Comment
UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES: A guided meditation
UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES: A guided meditation
Patty NiceFebruary 11, 2020Comment
An Invitation to the 1998 Jellicle Ball
An Invitation to the 1998 Jellicle Ball
Bailey MooreFebruary 10, 2020 Comment
H. E. DOUBLE HOCKEY STICKS: Abandon All Tropes, Ye Who Enter Here
H. E. DOUBLE HOCKEY STICKS: Abandon All Tropes, Ye Who Enter Here
Baillee PerkinsFebruary 9, 2020 Comments
Facing My Feelings with THE FAREWELL
Facing My Feelings with THE FAREWELL
Kathryn BaileyFebruary 9, 2020Comment
KINETTA: Yorgos Lanthimos’s Humble, Idiosyncratic Beginnings
KINETTA: Yorgos Lanthimos’s Humble, Idiosyncratic Beginnings
Margeaux LabatFebruary 8, 2020Comment
THE GREAT BEAUTY: Nostalgia and a Romanticized Past
THE GREAT BEAUTY: Nostalgia and a Romanticized Past
Shelby DillonFebruary 7, 2020Comment
You gonna write us a happy ending, Heather?: How THE BLAIR WITCH PROJECT connects to Freud’s theory of personality, Scooby-Doo, and my heart
You gonna write us a happy ending, Heather?: How THE BLAIR WITCH PROJECT connects to Freud’s theory of personality, Scooby-Doo, and my heart
Baillee PerkinsFebruary 5, 2020Comment
An Ode to THE LIGHTHOUSE
An Ode to THE LIGHTHOUSE
Chris CrymesFebruary 3, 2020Comment
THE HAUNTING vs THE HAUNTING
THE HAUNTING vs THE HAUNTING
Bailey MooreFebruary 2, 2020Comment
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Hyperreal Film Club
Austin, Texas,
USA
hyperrealfilmclub@gmail.com
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