This week in Austin screenings 2/14 - 2/20. .
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If this is your first Gamera, Super Monster is as satisfying as any other entry point you could choose.
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In School of The Holy Beast, director Norifumi Suzuki and the Toei film studio bring a nunsploitation that challenges the audience through the shocking nature of its story juxtaposed with its beautiful imagery.
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A new comic on food in film takes a look at what Jon Favreau, Brad Pitt and Willy Wonka might have to say.
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Nearly 45 years on, Altered States sparks synaptic connections rarely felt in big-budget movies with its operatic emotions and theatrical dialogue.
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Train Dreams breathes life into ordinary moments that make up the meaning of one’s life. It’s a welcome reminder during these all too chaotic times, that the journey is not marked by the memories we often think it will be.
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This week in Austin screenings 2/07-2/13.
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Joe Johnston’s The Wolfman is messy and a bit scattered, but more of it works than it doesn’t.
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Touch Me is for the weirdos who want to be shocked and confronted with a deliciously campy, sensory overload fever dream that happens to include a few hentai scenes. Oh, and it’s a very horny movie.
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September 5, directed and co-written by Swiss filmmaker Tim Fehlbaum, is a tricky movie to talk about. But, he makes his point clear: this is the world’s first televised terrorist incident and ultimately a failure of journalism.
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In her directorial debut Oh, Hi!—which premiered this year at Sundance Film Festival—Sophie Brooks takes the decline of modern dating and mixes it up in a frothy rom-com.
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This week in Austin screenings 1/31-2/6.
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Welcome to 1990’s Pump Up the Volume, writer/director Allan Moyle’s second installment in his unofficial trilogy of youthful rebellion and kickass soundtracks.
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In her new film Sugar Babies, which premiered at Sundance Film Festival, Rachel Fleit charts the trajectory of a TikTok sugar baby influencer.
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In this latest Apes Retrospective, we dig into Battle for the Planet of the Apes and the 2001 reboot of the original Planet of the Apes.
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This week in Austin screenings 1/24-1/30.
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In The Lawnmower Man, virtual reality is more imaginative and worse rendered than we have ever conceived of it.
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Hey there seeker, welcome to February at Hyperreal Film Club! We've got festival favorites! We've got cable standard-bearers! We've got programmer Blake Williams' incredible BLACK IN AMERICA series, now in-person after being hosted on our Discord the past two years!
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The world David Lynch created and left behind is endlessly illuminating, compassionate, and strange.
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Leigh Whannell’s Wolf Man is a movie at odds with itself, too quick to take the time to delve into fraught family history and too narrowly focused to let its Wolf Men really cut loose and get monstrous.
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