In Alice Lowe's Timestalker, which had its world premiere at SXSW, love lasts for eternity.
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For the next week, our team of writers will be sprinting around Austin to catch as many movies premiering at SXSW as humanly possible.
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This week in Austin screenings 3/8 - 3/14
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In Striking Distance (1993) Bruce makes his return to action films - but is he starting to get in his own way?
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We sat down with Hundreds of Beavers director and co-writer Mike Cheslik and star and co-writer Ryland Tews to discuss their new film.
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We’ve got that loving feeling continuing through March with double feature recommendations from the Hyperreal Film Club community.
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One need only look at the Blockbuster hit of the past summer, Barbie, to see that the Bimbo is once again gracing our screens.
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2004 brought two prolific genre directors reanimating the Romero legacy for the 21st century, with wildly different approaches, at almost exactly the same time.
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This week in Austin screenings 3/1-3/7
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Villeneuve’s Dune: Part Two offers a fresh take on the “white savior” story and an absolutely awe-inspiring visual feast, but falters in being too obvious.
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Denis Villeneuve’s Dune: Part Two is an awe-inspiring, idiosyncratic spectacle that demands to be seen.
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In his 1998 film, Sitcom, French writer and director François Ozon has a couple of thoughts on the concept of family.
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A crossroad is a storytelling trope we’re all familiar with: Opportunity, deviation, free will; all conveyed with a single visual. Something similar can be said of a long stretch of road that spans horizons like the one River Phoenix finds himself on at the beginning and end of My Own Private Idaho
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NBA players appearing in movies has led to everything from classic films that have etched their way into the collective cultural history, to some of the truly worst movies ever made.
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This week in Austin screenings 2/23 - 2/29.
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It’s very rare for there to be an overwhelming consensus regarding the legacy of films, but such is not the case for Stop Making Sense, which remains regarded as one of the greatest concert films of all time.
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In the past decade, Swedish filmmaker Ruben Östlund has found art-house success by perfecting a heightened social realist style described as “a combination of Michael Haneke and Larry David.”
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While you wait for the rest of this month’s lovesuite screenings at Hyperreal Film Club, check out these five underlooked rom com gems.
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This week in Austin screenings 2/16 - 2/22
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Madame Web is at its best when it begs the question: what would happen if our friendly neighborhood Spider-Man was instead a blood-thirsty serial killer?
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