It’s very rare for there to be an overwhelming consensus regarding the legacy of films, but such is not the case for Stop Making Sense, which remains regarded as one of the greatest concert films of all time.
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In the past decade, Swedish filmmaker Ruben Östlund has found art-house success by perfecting a heightened social realist style described as “a combination of Michael Haneke and Larry David.”
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While you wait for the rest of this month’s lovesuite screenings at Hyperreal Film Club, check out these five underlooked rom com gems.
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This week in Austin screenings 2/16 - 2/22
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Madame Web is at its best when it begs the question: what would happen if our friendly neighborhood Spider-Man was instead a blood-thirsty serial killer?
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Here are six short cat films you can watch right now, each an intimate study of our feline friends through the eye of a different great artist.
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Something Wild levels up a typical story with atypical moments of tenderness and a deeper exploration of who these two strangers become to one another, turning their chance meeting into a fated transformation.
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Cowboy Bebop: Knockin’ on Heaven’s Door takes the time to put the crew out in the world and gives them the space to bounce off each other. Lonely as they may be, they live. They use their time.
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This week in Austin screenings 2/9-2/15.
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Before dipping back into action, Bruce Willis chose to co-star with Goldie Hawn (!) and Meryl Streep (!!) in Death Becomes Her, a big budget, special effects-driven 1992 comedy.
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Kathryn Newton shocks, slays, and amazes in the starring role of this charming monster rom-com.
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Senegalese fiction writer-turned-filmmaker Ousmane Sembene finds something alluring in the lives of these workers,
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A selection of Sundance 2024’s independent film offerings, from queer neo-noir Ponyboi, to the experimental AI-structured Eno, to Sasquatch Sunset’s Sasquatch pee.
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This week in Austin screenings 2/2-2/9
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Vojtěch Jasný’s The Cassandra Cat highlights political hypocrisy in a mystical tale led by a cat wearing sunglasses.
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New year, who dis? Oh, it’s movies? Great, come on in.
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For the inaugural edition of Psychotronic Drive-In, we’re covering two Spanish films released in 1973: Attack of the Blind Dead and The Vampires’ Night Orgy. Both are spectacular examples of what makes Spain’s horror output in the 1960s and 1970s so compelling and unique.
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Let Sofia Coppola make a movie about every woman who’s ever lived.
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This week in Austin community screenings.
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Hyperreal Film Club sat down with Matt Farley, the creative dynamo who’s written, recorded, and released over 24,000 songs and written and starred in nearly 20 movies in the last 20 years to talk about the creative drive, Elaine May’s Ishtar, and the phone number thing.
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