Is there a better monster myth for a movie about America than the cannibal?
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Metafictional horror comedy five years before Wes Craven’s Scream isn’t the only reason to love Popcorn.
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The film was more or less disavowed by Spike Lee and writer Suzan-Lori Parks, but Girl 6 remains a thoughtful, complicated look at sex work and Black womanhood.
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Encountering a dark night of the soul, may you find beckoning reflections in these unfortunate onscreen sisters, whose lives might feel downright relatable.
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What’s more entertaining than murder? Being popular in high school, of course!
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Breaking cinema down into Architectural and Musical modes of filmmaking.
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A look at how director Robert Eggers’ use of historically accurate dialects brings his films to life.
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Romance built on a very specific foundation.
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Twenty-five years later and Strange Days is more relevant than ever.
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Pain, loneliness, and the search for emotional intimacy pervade the works of Tsai Ming-Liang and Jackass.
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Tár is the rare film that dares you to talk about what you think the film is about instead of just telling you outright.
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Can hard weather and tough traveling bridge the American class divide? In Planes, Trains & Automobiles, anything is possible if you give it a chance.
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The only thing more dangerous and contagious than a zombie outbreak is capitalism.
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