Like a well-mixed but not particularly innovative cocktail you might order at a chain restaurant in the suburbs, this movie goes down easy but doesn't linger long in the memory.
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How should movies reflect our morals and values as a society? Or, more pointedly, what function does entertainment serve? This question seems to lie at the heart of the controversy surrounding Colleen Hoover’s enormously popular novel It Ends With Us and its new film adaptation.
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