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Hyperreal Film Journal
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Rick Alverson, Elaine May, and John Cassavetes walk into a bar…
Keaton Smith
May 13, 2020
Comment
GELATERIA + Filmmaker Interview
David M
May 12, 2020
Comment
Vivid, Intimate, Hopeful: A Review of PAHOKEE
Nick Bachan
May 11, 2020
Comment
The Turkish Mockbuster
Ben Rubin
May 10, 2020
Comment
A Woman on Women
Emily Basma
May 9, 2020
Comment
SPACESHIP EARTH and Our Visions of Escape
Nick Bachan
May 8, 2020
Comment
A Journey Through 1992: DEATH BECOMES HER
Bailey Moore
May 8, 2020
Comment
LIPS OF BLOOD: I Had Too Much to Dream (Last Night)
Vikrant Nallaparaju
May 7, 2020
Comments
Rhizomatic Fear
Keaton Smith
May 6, 2020
Comment
SALON CRITERION: Tarkovsky’s STALKER
Dave Simone
May 5, 2020
Comment
The Manipulation of Sympathy in PARASITE and US
Ben Rubin
May 4, 2020
Comment
LiME: Joy Embodied
David M
April 29, 2020
Comment
The Well Rounded Cinephile
Ben Rubin
April 24, 2020
Comment
All You Can Ever Know
Nick Bachan
April 23, 2020
Comment
One Long Reason To Watch Films During Isolation
Alexis Sleeper
April 22, 2020
Comment
FREAKS ONLY: The Fetid Hell of THE GARBAGE PAIL KIDS MOVIE
Morgan Hyde
April 21, 2020
Comment
BREATHLESS (’83): About the Souffle
Vikrant Nallaparaju
April 20, 2020
Comment
My United States of Whatever
Keaton Smith
April 18, 2020
Comment
Love, Life, and the Pursuit of Happiness in AMERICAN HONEY
Emilee Araujo
April 17, 2020
Comment
The Electricity in Rebecca Thomas' ELECTRICK CHILDREN
Emilee Araujo
April 15, 2020
Comment
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