This week in Austin screenings 5/17-5/23.
Read MoreWeston Razooli’s Riddle of Fire reimagines childhood with an eclectic daydream reverie of childhood fantasy, whimsical neo-fairy tale, and an infectious, rambunctious energy.
Read MoreFollowing the breakout success of his Oscar-winning Drive My Car, Ryûsuke Hamaguchi gained a larger audience: a Western one that was primed to see his vision expand, perhaps beyond the borders of his native Japan. But his followup, Evil Does Not Exist, instead remains within his present field of vision and becomes his most contained film to date.
Read MoreLynne Ramsay’s Morvern Callar is only the director’s second feature film, but crystallizes a style that she’s honed over two decades.
Read MoreSeeking Mavis Beacon is inventive and powerful, playful and thoughtful in turn.
Read MoreThis week in Austin screenings 5/10-5/16.
Read MoreUnion, which had its Texas premiere at the Austin Film Society’s Doc Days festival on May Day, takes us back to one of the first beacons of hope in the current unionizing moment.
Read MoreEight days, 267.12 miles walked, 10 interviews conducted, 29 articles written, dozens of films watched, and an untold amount of fast food consumed. The Hyperreal Film Journal stayed busy during SXSW 2024.
Read MoreSteamy screenings and delicious double-features. Here’s the perfect pairings for the Hyperreal Film Club April calendar.
Read MoreTold exclusively through iPhone footage, laptop cameras, and text exchanges, Patricia Franquesa’s My Sextortion Diary plays out more like a thriller more akin to films like Missing, Searching, and UnFriended than the traditional talking head documentary.
Read MoreBruno-vision continues with Bruce Willis’ turn in North - in which he is, honestly, not great. Not terrible, but not great. He tries though!
Read MoreThe first feature-length film from Rocket Jump (Freddie Wong and Matthew Arnold), We’re All Gonna Die has some rough edges but is at its greatest when it finds the balance between emotional and comedic.
Read MoreThis week in Austin screenings 5/3 - 5/9.
Read MoreSing Sing is a magician’s best trick from a filmmaker still early in his career.
Read MoreIn La Chimera, Rohrwacher delicately crafts a moving romantic tale of magical realism, entwining the immortal and mortal spheres, and those who find themselves stuck on either side.
Read MoreThe Rainbow Bridge, which was featured in the Narrative Short Program at this year’s SXSW, explores the grief of losing a pet and how it makes eccentrics of us all.
Read MoreChallengers is a hell of a film—well-performed, well-scored, well-choreographed and well worth seeing.
Read MoreIn advance of the Eastside Cinema screening of Her Dog Satan on May 4,Scott Conn, the director of Dirt Road to Psychedelia, sat down with Hyperreal Film Journal to talk about DIY filmmaking, the Austin punk scene, and Roger Corman inspirations.
Read MoreWith Dissolution, the short film which won the Narrative Shorts Jury Award at SXSW, director Anthony Saxe explores this disconnection from the past by looking to his parents. Through home videos captured in his infancy or before he was born, he investigates who his parents were to themselves and to each other when they lived completely different lives to the ones he now knows.
Read MoreNicole Daddano and Adam Wilder’s short animated film The Bleacher makes the viewer a voyeur in a dark and gritty world, centered around a laundromat where a regular has some very dirty laundry to do indeed. HFC sat down with Nicole and Adam to discuss all the strange turns the film takes and shifting from live action to animation.
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